Eerily moving electronic soundscapes made of fractal noises and sustained by an ambiguous flowing tempo and spoken words. OPN Records is an independent label based […]
Recent Posts
Alex Cobb & Taiga Remains :: Double review (Shelter Press/Helen Scarsdale Agency)
Taiga Remains’ ghost walks amongst us, the last hurrah having come some five years back with the blown-out drone of Wax Canopy (Digitalis), while plain old Alex Cobb […]
Asmodaeus :: Lies and Logic (Walhalla)
Asmodaeus’ bleak and weary style immediately gaining praise from the faithful. Gasps and guitar strings, sighs and cheap synths, drum machines and dirge; a superb record […]
ZoiD :: Electronic Jazz Fractals
Music has been Jacobson’s life work. His history with jazz and electronic music is lengthy, business minded and academic. His desire to refocus left the […]
Soothsayer :: The Future Presence of the Past EP (The Crime League)
Densely produced electronica with some interesting sonic flair. Let it never be said that IDM isn’t a global endeavor. In this three-track EP, Toronto-based Crime […]
TAPE :: Transmissions
Ah. The humble cassette tape. For some it’s been consigned to the history books of defunct formats, for others it’s the medium of choice to […]
w1b0 : Main Squeeze Remixes (Bass Agenda)
A fantastic cross section of Electro. Floor atomics and late night musing. A sterling first wax outing from the young Bass Agenda. Bass Agenda is […]
P.P. Roy :: Watch The Dough Nut Not The Hole (UPITUP)
A diverse album, one that combines vocal samples and strange melodies that echo hip hop’s best producers. After reading that, surely everyone can understand why […]
Mammal Hands :: Animalia (Gondwana)
Colorful weaves of electronica-flavored jazz in some parts enchantingly infused with seductive scents of Indian classical music, ambient or African music, assemble a genre-defying unique […]
STU CROSBIE :: Igloo Mix
Igloo have been lucky enough to pin down Brighton based artist Stu Crosbie, get the Dark Arts man behind his turntables to deliver a full […]
Benjamin Finger :: The Bet (Watery Starve)
‘I kind of wanted to break away from the way I think an ambient/modern classical (or whatever we call it these days) record should sound […]









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