We are treated to a sort of granular treatment of piano pieces and piano timbres. Throughout the recording, Iwata’s instrument and compositions are put through […]
Reviews
Darren McClure :: On Opposites (Neotantra)
Just as it is difficult to write an ambient review that stands out, it is difficult to write an ambient album that stands out. Fortunately, […]
Faex Optim :: Adventures In Nature EP (Magic Square)
Adventures In Nature is a brisk foray into vintage electronic rhythms with all the right notes falling into place exquisitely. I just hope Faex Optim […]
Ruby My Dear :: Phlegm EP (Analogical Force)
All in all Phlegm serves as a fine introduction to Ruby My Dear’s sound as well as a very worthy addition to his catalog. There’s no […]
Rian Treanor :: ATAXIA (Planet Mu)
This is what Rian Treanor achieves on ATAXIA—tracks which are based on patterns that the listener can identify and remember, and yet which are never […]
Mihail P :: Omniverse EP (Distant Worlds)
Omniverse does no mark a change in sound for Mihail P, rather another side of his electronic musings is on display. Percussion has been played […]
Staatseinde :: Dreiheit (Onrijn)
Staatseinde’s music calls upon many inspirations, the science fiction dreams of computer music with the longing and romance of wave. The trio comment on the […]
Weldroid :: Regenerative (Kahvi Collective)
A multifaceted foray of chilled electronics that spans through ambient, synthesizer, and abstract IDM fissures. Weldroid (aka Tamás Zsiros) returns with Regenerative for Kahvi Collective, […]
Eldorado Omega :: Out of the Cloud-World EP (Self Released)
Although Out of the Cloud-World eases the listener into its strange sound space, there’s something uniquely compelling about this recording that I continue to visit […]
Bochum Welt :: Seafire (Central Processing Unit)
If you’re looking for a concise but varied electronic record which puts melody first despite taking bits and pieces from ambient to acid, give Seafire a […]
Konx-om-Pax :: Ways of Seeing (Planet Mu)
A lot of passages in these tracks hark back to Tom’s back catalogue—the more ambient passages on “Magenta One” or “The Paleontologist,” or the ominous […]
















