A felicitous confluence of two distinct sound worlds/whorls in a zone notionally adumbrated by texture-mappers.
Reviews
Simon McCorry :: I the Storm (See Blue Audio)
I the Storm is by Simon McCorry who is well known as a remarkable cellist and sound-sculptor of ambiguous environments. Here are four extended tracks of cello-toned sculptures.
Parallel Worlds :: Fragmented (DiN)
Listening further and more closely, I perceived that Fragmented sounds more contemporary—the music has an industrial edge. The album has a tasteful minimalist quality as does much of Cluster, but it sounds more relentless and more driven in pace.
Maps & Diagrams :: Obscura (Handstitched*)
Acrylic paints and paper art loaded with intrigue, ambient noise and introspection, lo-fi, tape-based pieces in short-form compositions.
V/A :: Distant Arrays Volume 07 (Satellite Era)
Satellite Era shows how many great producers are out there in need of being discovered by a wider audience, even amongst the advanced music connoisseur bubble.
Sacred Seeds :: Spectral Drift (Sun Sea Sky)
A series of atmospheric tracks combine synth tones within the sequences, pad melodies and other sonic devices to evoke their intended setting(s)
Drifting In Silence :: Winters Past EP (Labile)
Winters Past is a very enjoyable mainline ambient drift album featuring wintery atmospheres and notably subtle emotional compositions.
Eric Schlappi :: Raw Øblations 4: Contaminated EP (Errorgrid)
Eric Schlappi’s Raw Øblations 4: Contaminated, which lasts just over 26 minutes, provides even more glitch-electronic warfare.
Music Mondays 008 :: The long and the short of it
With a brief look at some notables along the road, Chang Terhune’s Music Mondays aims to shed light on both new and old(er) music over a wide […]
4PLAY :: Past Inside the Present — Awakened Souls, Tyresta, From Overseas & zakè, James Bernard & anthéne
What follows constitutes, for want of time for exhaustive description, a representative sample of some of the year’s rich late harvest…
Hollan Holmes :: Sacred Places (Spotted Peccary Music)
“Not too dense while remaining always complex and multifaceted, seemingly forever a powerful deep boom marks each cycle explosions and everlasting resistance that in the end sails away on the ocean never to return…”

















