(April 2010) After a serious hiatus the German electrofunk label, City Beat Records, has taken its head from under the duvet, slipped into its white […]
Author: Robbie Geoghegan
PIECE COMMUNICATIONS :: Label profile
(April 2010) THE southwest of Britain has a bit of an electronic history, Aphex Twin and Baby Ford to name but two examples. 2010 sees […]
Confetti Bomb MDMemily EP (Autoreply Music)
(March 2010) Autoreply Music are back in 2010 with a release by label owner Confetti Bomb who, despite having maybe the most Italo sounding moniker […]
The Hacker and J.T.C. :: Double review (MRX)
(March 2010) Spring is the time of rebirth and new ventures and the world of electronics is no exception. The excellent MinimalRome is starting down […]
V/A :: Global Surveyor Phase 3 (Dominance Electricity)
(March 2010) In the 1980s electrofunk was a ground breaking sound. Combining the rap movement with newly invented electronic boxes produced a music never heard […]
Prins Thomas :: The Album (Full Pupp)
(March 2010) For some reason in the past few years the term “cosmic disco” has found itself into the vocabulary of nearly any electronic zealot. […]
Death Domain and Second Decay :: Double review (Dark Entries)
(February 2010) Despite beginning, and growing, across the UK and Europe in the 1980’s, New Wave is having its renaissance in America. Of course there […]
Roland Sebastian Faber :: Gropiusstadt EP (Aube)
(February 2010) With the dawn of the twentieth century came a new way of looking at the human condition. The death of Queen Victoria was […]
The Seducers :: Music for Heroes 12″ (Cytown)
(February 2010) Cytown Records returns after a period of inactivity with a new release, Music for Hereos. The label founders, The Seducers, have not released […]
Electronic Activity :: Force Breeze 12″ (E-Activity)
(February 2010) It seems nearly impossible to escape the Dutch hold on electronic music. If it is not the musicians themselves dominating it is the […]
E-Man LP and the Temptation Tapes (Hommage)
(February 2010) It’s difficult for a label to start with a really amazing release; it can set a precedent that’s hard to follow never mind […]












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