Both of these producers are heavyweights in their field, Appleblim being one of the forefathers of the UK bass scene and October being an accomplished […]
Author: Gustave Savy
Public Enemy :: It Takes A Nation Of Millions To Hold Us Back (Def Jam, 1988)
Public Enemy broke new ground both sonically and in their attitude. They brought a political message to Hip-Hop that was coherent, personal and well reasoned. […]
Charly Linch :: Filthy Pleasures (Mindtrick)
Anyone with a penchant for aggressive, dense, anarchic electronic music with ridiculously heavy bass sounds produced with technical aplomb should find Filthy Pleasures by Charly […]
Setspeed :: Komu (Bass Music)
Kumo doesn’t try to blast your head of with crazy frequency gulping bass/mid/treble sounds and huge highly processed half time beats, but instead envelopes you […]
Quasi Dub Development :: Limousine To The Guillotine (Rump)
This album is a swirling reservoir of sonic complexity that is deceptive in its presentation. To continue the analogy of water, it has depths that […]
Mobthrow :: Pitch Black EP (Mindtrick)
A clinical demonstration of how dark, intense and subtly clever soundscapes can be put to work in the context of a fully DJ/club friendly context. […]
Raoul Sinier :: Guilty Cloaks (Ad Noiseam)
This album sounds like a much more personal affair then earlier works to me, retaining many of the trademark stylings that have become associated with […]
Hecate :: Brew Hideous Remixes (Ad Noiseam)
Amboss, Slutmachine, Vile Enginez and White Darkness (A.K.A. Bong-Ra) are the guilty parties, and with a roll call like this, you may well have a […]
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