Deep, shimmering, imbued with hope and tranquility, but also a certain darkness of the deep preventing any tilt into New Age excess, it mixes several ambient stylings to sonicize various aquatic states and movements.
Author: Alan Lockett
Zachary Gray :: Trippin’ / In Arrears (A Person Disguised as People)
Zachary Gray is back with Trippin’ / In Arrears, in A Person Disguised as People’s A/B Series, a 2-track appetizer for the Trippin’ LP, forthcoming in Spring 2025.
Taylor Made Trilogy Turns to Ash (Nettwerk)
Just in is news of continuation of a new chapter on Nettwerk with the release of Ash, rounding off his EP trilogy, initiated with Eev (igloo-’viewed) and Aer, with its conceptual theme of a ‘life arc’ from exciting new beginnings to the darkness of dealing with life’s challenges.
Bibio revisits Phantom Brickworks (Warp)
Under blankets of mostly improvised evolving loops of piano and baritone guitar can be heard muffled specters of working life, implying nature will come for everything and eventually hide the scars.
Macrogramma :: Magnetic Series (Lᴏɴᴛᴀɴᴏ Series)
For Macrogramma, the medium evidently brings with it, more than nostalgia’s facile allure, in contrast to digital’s infinite possibility, an intransigence forcing definitive choices.
2View :: Sounding Boards — Skytree, Zachary Gray
There’s red line, thin, but distinct, between different kinds of sounding—between soundalike and sound like, resemblance and redolence, imitation and influence; thus, though sometimes end products may sound similar, in essence they differ crucially.
2view :: Tapes and Topographies :: Plumage (Lontano Series) & Rudiments (Simulacra)
A collection of cameos rendered in feathery tones and dusty pitches by Todd Gautreau aka Tapes and Topographies, Plumage’s sonorities, languorously looping and limned in treated effluvia, point to timbral and spatial elements as its primary zone of sonic inquiry.
shuttle358 :: optimal.lp [reissue] (Keplar)
A quarter of a century on from optimal.lp’s release, then, its timelessness is still palpable, even enhanced, with the reissue’s addition of three tracks made while working on it, plus a new take on the closing “Tank” (digital only): in prepping the reissue, running one of the masters through a customized reverb unit, he began recording the outcome of this haptic past-inside-the-present dialog.
korrē :: Oizys (Perimeter Junk)
Characterized as “10 tracks of technoblues,” Oizys, the album, follows very much in the vein of the previous Shrapnel, a lowlight minimal variant redolent of some early ’00s Berlin-inflected dub-tech/tech-dub releases.
Maps and Diagrams :: if all will be lost (quiet details)
All in all, this personal take on the quiet details concept exhibits a deftly turned lower-case sound design prowess that bespeaks years of audio craftsmanship, constituting a compelling entry to a growing catalog.
Field Lines Cartographer :: Portable Reality Generator (DiN)
The modular maven channels something of an early TD sound-feel via post-Kosmische textures, motifs, and rhythms; new projections in the head cinema, strangely familiar, yet otherworldly.
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