Post Tagged with: "Electronics"

Magic Panda :: Cloud Fforest EP (Knopje)

Each piece twists, turns and evolves with such a psychedelic ferocity that you are getting double your money on the music alongside a journey into the Cloud Fforest. After a three year hiatus, Magic Panda returns with an epic four track EP on Holland’s Knopje Records. To be fair, it’s no wonder these tracks took […]

read more

GLOBAL NOISE :: The Kandinsky Effect, Gaudi, Schnellertollermeier

The Kandinsky Effect dives deeper into free jazz and electronic exploration, Gaudi returns to his dub and post-punk roots, and Schnellertollermeie keeps defying jazz power trio traditions. The Kandinsky Effect :: Pax 6 (Ropeadope) With Pax 6, Warren Walker (saxophone/synthesizer/effects), Gael Petrina (bass/effects) and Caleb Dolister (drums), offer the most mind-twisting chapter in The Kandinsky […]

read more

Displacer :: The Face You Deserve (Hymen)

A solid, and aggressive outing of adventurous, forward-thinking, and layered electronic music that deserves attention in 2017 Best Of lists. Displacer, also known as Michael Morton (head of The Crime League imprint), certainly knows how to keep himself busy with music, art, and all things creative. With an expansive discography spanning 14-years, we’ve seen the […]

read more

Ignatius :: Legacy Systems (Buried In Time)

Legacy Systems, in summary, is built upon the fluid relationship between man and machine, offering along the way, an extraterrestrial sound field that is utter Autechrean electronic bliss. Perhaps pointing to outdated computer systems, or technology in its title, Ignatius—covered quite a bit in our pages—continues to craft out of this world modular audio collages […]

read more

Qnete :: Clapping The Soles of Your Feet (Drowned)

A record that showcases Qnete’s talent but one where more scope would have been welcomed. From time to time an artist comes along who, due to a number of reasons, might have mass appeal. In electronic the idea of “mass appeal” is a little bit of an oxymoron, let’s say an artist who can appeal […]

read more

Interview with Andy Maddocks of Skam Records (22RPM Festival)

“22rpm Festival returned to London Saturday October 7th, 2017 to support once more the other side of electronic music, pulling away from the deafening commercialization of what used to be a liberating diverse genre. Another mind-blowing line-up, visuals and very special treats you’ve come to expect from the rpm events.” Interview with Andy Maddocks of Skam […]

read more

Cathode Ray Tube :: Atlas Of Migraine (Heterodox)

Atlas Of Migraine details an expansive foray through the ventricles of intelligent dub music, mustering up hundreds of ideas that disperse evenly upon its technoid infused landscape. Cathode Ray Tube (aka Chang Terhune) returns with a new full-length titled Atlas Of Migraine for Oregon-based Heterodox—a visual mapping of sorts that details the artists’ 16-year battle with migraines—now […]

read more

Meat Beat Manifesto :: Ready to release Impossible Star 1/19/2018 (Flexidisc) & “We Are Surrounded” track premiere!

Meat Beat Manifesto are ready to release Impossible Star, their first new full-length in seven years. MBM performs live at the Los Angeles’ Cold Waves LA (Day 2) on Nov. 11th. Igloo Magazine will be featuring an exclusive listen to be announced. (Press-Release) San Francisco, CA – Gearing up for the release of its first […]

read more

Abjective :: Diamagnetic Levitation (Detroit Underground)

Diamagnetic Levitation is an exp-electronic focal point of magnetic sounds that culminate to form a tangible and minimalistic detour through IDM’s early (and finer) days. Vadim Pantin’s Abjective moniker was established about 8-years ago—a visceral undertaking that blends articulated / modular electronics, raw rhythmic bits, and fractured melodic notes. With previous collaboration alongside notable acts such as […]

read more

Subminimal :: Substance EP (Möller)

On this latest EP, Substance, Subminimal is focused on dub patterns, rarely veering into jungle or drum and bass territories like before. Icelandic producer Tjorvi Oskarsson, aka Subminimal, created a powerful debut album back in 2014, something that had precision in its production which was heard powerfully on the album tracks. The album was called Sinian and […]

read more

Sova Stroj :: Refugium (Testtoon)

Refugium is sobering LP that challenges the listener and compels them to not only think, but to reflect; a difficult feat in these busy times. When all falls silent, what do you hear? When consciousness rests, what do you see? When night falls, who do you miss? The press release for Sova Stroj’s latest album […]

read more

3View :: Asymmetrical Head, EXO_C, Kothyus (Bonding Tapes / Kvitnu / People Can Listen)

A three-pack review including the latest purveyors of experimental-electronic sound emanated from San Diego, California-based Bonding Tapes, Vienna, Austria-based Kvitnu, and Mogilev, Belarus-based People Can Listen imprints. Asymmetrical Head :: Information World Remixes EP (Bonding Tapes) Just a few years ago we described the original Information World EP—released on Bewegung, 2014—as “a well-balanced if not tranquil […]

read more

Junq :: Lila Dreams (Further Electronix)

For those of you, those of you struggling for oxygen due to a bad cause of waiting with bated breath, Lila Dream is not a 303 soaked dancefloor splintering slab. The EP sands down the sharp edges of the Art Mechanical release, leaving smooth sleek lines and broad expanses. Junq is a rare breed. His […]

read more

John Heckle :: Translate (030303)

Sleek and slender strings, blushed pads and warmth to even out those grizzled hi-hats and snares. A quality addition for 030303 and a fantastic addition to Ireland’s electronic music scene. It appears John Heckle, a stalwart of Tabernacle, has left his hometown of Liverpool and sailed across the Irish Sea to Dublin. Andrew Ingram, one […]

read more

The Tin Box :: Invisible Kin (Audiobulb)

In fact barely a tone here is jangling or discordant—everything is focused, intricate and direct. Invisible Kin’s sound has its roots in Autechre’s easier material, or Boards of Canada’s more upbeat and uptempo productions. The Tin Box is a solo project by US composer Tucker Sferro. Sferro is something of a rarity when it comes […]

read more

Monoiz :: Qodkluster EP (Detroit Underground)

Qodkluster, to put it simply, is very well-produced next-level electro-glitch. Abstract and effective electronic music with just the right amount of horsepower and conviction to keep the genre alive and well. Not unlike what you would consume on the Raster imprint, Monoiz fractures percussion and technoid rhythms to no end. “Cyclock5” does just that, its […]

read more

Belief Defect :: Decadent Yet Depraved (Raster)

Decadent Yet Depraved is a music which can only exist in—and reflect—the pulverized remains and contradictions of a giddy late capitalist plunge into its own abyss. As much as Decadent Yet Depraved utilizes the equipment and machineries of contemporary society, its derangement of them and its throttling, absurdist violence—speak to its attempt to identify music (and […]

read more

V/A :: Fifth Listen (People Can Listen)

Belarus-based People Can Listen reveal their fifth heartfelt compilation with punchy electronic stems at its core, further nurturing artist relations. A fresh perspective on the tried and true IDM genre—not overtly groundbreaking, but engaging nonetheless. More and more labels continue to navigate their way through artist relationship building with the intent to fill the music libraries of […]

read more

Kingbastard :: Error EP (Odd John)

Chris Weeks‘ Kingbastard moniker continues to explore robotic electronics and vast sound scrapping through circuitry. This three-track EP further details the artists’ unique ability to craft a succinct collection of decomposed tracks. Chris Weeks‘ Kingbastard moniker continues to explore robotic electronics and vast sound scrapping through circuitry. This three-track EP further details the artists’ unique […]

read more

John Beltran :: Moth (De:Tuned)

For those of you not in the know, Beltran started out on seminal labels, working on Carl Craig’s Retroactive before being signed for albums on R&S, Apollo and Peacefrog in the late 90s with his Ten Days of Blue being a classic of the genre. It’s with this album in mind that Moth arrives. Music […]

read more

Simfonica :: Letters In Time DVD (TM Studios)

The near hour-long ambient tripping combined with clear messages, the interplay of sound and image within contextual ideas, provide a very moving total experience. In fact this is a surprisingly rare concept in music, at least in non-classical orchestral music. The marriage of haunting sounds and thought-provoking visuals is here actually more a ménage à […]

read more

Gyrowyre :: Ornge EP (Enpeg)

Ornge is a magnetic pulse, succinct in its visit, memories of Arovane, Gimmik, Kattoo, and Penfold Plum (et al) come to mind and heart. Around this time last year we delved into Rde, a debut EP for n5MD’s digital imprint Enpeg which was described as containing “delicate bass thuds, melodic nostalgia of times gone by, […]

read more

Geistform :: Señales EP (Femur)

The coarse and calculated sequences of the industrial are omnipresent on the EP, as is an experimentation with modular synthesis and expectations of electronica. Espinosa investigates a bleakness and brutality that is usually ignored, a sound where man has fallen and redemption will not be granted. Frak and Celldöd were Femur’s first vinyl steps, the […]

read more

Iteration Corporation :: Gravitropic (Pulse Drift)

IC takes it as a compliment when asked if Gravitropic is electro, citing the genre’s ability to explore “themes pertaining to human consciousness, quantum physics and alter dimensional realities more so than most other genres of electronic music.” He describes his sound “an organic movement toward breaking fertile ground, a gradual movement toward what is possible…” […]

read more

Double review—Jet Jaguar & Luke Killen :: Grounded / Tending The Nest (DataDoor)

Perhaps an interesting collaboration would be to combine both Jet Jaguar and Luke Killen’s talents—one brawn and beauty. Mind and body. Who knows, a vigorous and more complex animal may emerge. Jet Jaguar is downbeat and minimal but warm and calm, like these field recordings have cheerful memories grounded into them. It should be of no […]

read more

Dissolved :: Lost In A Femtosecond / Submersion EP (Dissolvedamberrooms)

Both releases are boundless and filled with layers upon layers of panoramic electronic music. Dissolved is a prolific musician that continues to reach far into the lost crevasses of his music machines to sculpt contagious and timeless ambient-IDM manifests. Dissolved baffles with glimmering electronic composition and muffled melodic streams drifting in panoramic fields. Lost In […]

read more

Valance Drakes :: An honest approach to it EP (Detroit Underground)

A mixture of fine-tuned and de-tuned glitch abstracts—tempered, submerged and drifting slow-motion electronics. Perhaps the closest we’ve seen to a full length release—although only a 21-minute runtime—Valance Drakes reveals an 8-piece EP for Detroit Underground. An honest approach to it is a mixture of fine-tuned and de-tuned glitch abstracts—tempered, submerged and drifting slow-motion electronics. “Greed […]

read more

Somatic Responses :: Pattern Seeking (Hymen)

Pattern Seeking continues to unfurl the duo’s (over) 20-yr skill-set and their unique ability to create corrosive experimental machine music. Augmented by energetic melodic jolts and crunchy synth manipulation, this album simply packs a punch. Abrasive electro filled with industrial-techno clangs and rough bristles encapsulate the majority of Pattern Seeking by the long-running and always dependable Somatic […]

read more

The Resonance Committee :: Curvepusher Sessions Vol. 1. (Cultivated Electronics)

Curvepusher Sessions Vol. 1 does what you’d expect it to do, that is deliver four tracks of electro that will slice through speakers and floors with equal devastation. The 12” visits a range of sounds, all of which have influenced and inspired, and continue to do so, the entire gamut of machine music. The collaboration of […]

read more