This debut CV FREQS compilation gathers thirteen artists exploring bold, glitchy, and loop-driven electronic sounds that demand your full attention, with each track shifting unpredictably into new sonic territory.
Features
Babs Santini :: The Formless Irregular (Timeless Editions) — Book review
A definitive, full-color celebration of the elusive visionary Babs Santini—whose surreal, erotically charged collages shaped the visual world of Nurse With Wound and its avant-garde circle—The Formless Irregular spans five decades of radical image-making that transforms waste, dreams, and noise into haunting, darkly humorous art.
Maps and Diagrams :: Music for Trees (ato.archives)
Maps and Diagrams’ music drifts like sunlight through a forest canopy, slow, dreamy, and richly layered with acoustic textures that evoke the spirit of each tree it’s named after, from oak to cedar, inviting the listener to float, ponder, and perhaps even dream alongside the trees themselves.
WE FORFEIT :: Radio Relativa #58 — Top Tracks of 2025
As 2026 begins, we return to our now six-year ritual at Igloo—bending time slightly to celebrate the finest albums of the past year, from 2025 standouts on labels like Warp Records and Clone to reissues and timeless cuts by Aphex Twin and The Sabres of Paradise, all fueling our tradition with renewed magic and momentum.
Adrian Lane :: Their Ghosts and Ours (Audiobulb)
Their Ghosts and Ours unfolds like a sonic séance, weaving field recordings of abandoned spaces with fractured noise, piano, strings, woodwinds, and electronics to summon […]
Igloo Magazine :: Best of 2025
Across 2025, hundreds of releases surfaced, with December granted space to settle. From that sweep emerged a carefully shaped collection of favorites, each paired with links to Igloo reviews and release pages. Arrangement follows artist names in alphabetical order, while a snapshot of tracks lives on our Soundcloud playlist, joined by random artwork highlights. No crowns, no rankings, no runners-up—only records that resonated.
Church of Hed :: The Father Road (Self Released)
The Father Road is a pulse-driven, transcontinental voyage of progressive electronica, tracing the mythic Lincoln Highway coast to coast as Paul Williams’ Church of Hed expands his ongoing musical road saga between Rivers of Asphalt and Under Blue Ridge Skies.
Rudy Adrian :: Along The Coppermine Ridge (Spotted Peccary Music)
Rudy Adrian’s Along the Coppermine Ridge unfolds like a breathtaking, slow-motion film of New Zealand’s high-altitude wilderness, where ethereal synths, haunting piano, and sparkling chimes illuminate windswept peaks, mist-shrouded valleys, and the timeless pulse of nature itself.
A Deep Dive into Autechre :: From Early Brilliance to Late-Period Noise—A Journey Through Their Evolution
Autechre’s journey from their early, beautiful electronica to their later, mind-bending, experimental sound is a marathon of brilliance and confusion, where diamonds still emerge from the chaos but only after sifting through some of the most bewildering, abstract music ever created.
Kelli Evans :: It’s a Freak Show Ace! (Aurore Press) & V/A :: We Were Living In Cincinnati Vol 2 1982-88 (HoZac)
Long before digital memes defined underground culture, punk flyers—xeroxed collages slapped onto telephone poles—served as the gritty, hand-made invitations to scenes like the Jockey Club’s explosive 1980s freakshow.
WE FORFEIT + Leonid @ Nuevo Montacargas (Madrid)
This month we present a powerful two-hour excerpt from a four-hour session recorded with my friend and outstanding musician Paul Smith—aka Leonid—captured live at Nuevo Montacargas, showcasing his signature blend of acid ambient, bleep, electro, house, and techno from the softer edges of each genre.
















