Experimental Electronic Music
Taking advantage of interrupted sleep patterns, many of the tracks on Cloudwalker & the Ascent were laid down in the hour just before dawn, their inspiration distilled from dreams, often with the Moon & Venus smiling through the open backdoor of his cabin.
The magic of these solar colors appear little by little and then in great bounding leaps, with amethyst, emerald and sapphire shades emerging as we soar above the realms of the sea.
Greinke’s unique approach on his ambient work is to heavily layer, multitrack, and texture soundscapes, using the studio as an instrument.
Imagine the machines that shape electronic music, baffling and terrifying, bringing back harmonies and rhythms that describe an imaginary inward journey that our speakers or headphones (or earbuds) want to take with us into fabled and ever more wild and innovative sounds and places.
Employing the full range of synthesizer keyboard magic, with sparkling short repeating sequenced runs of notes and rhythmic elements without any drums or traditional percussion. […]
Igloo took the opportunity to catch up with Ian Boddy to discuss 70’s synth pioneers, the evolution of electronic music and not least the principles on which the label DiN is based. As well, we take a look at DiN’s 100th release titled Nevermore by Ian Boddy.
Out now on Past Inside the Present, home of all that’s good in Ambient Drone and otherwise: Healing Sounds II: A compilation for those in […]
Cazrina Kluster might appeal to fans of deep home listening and musical experiences which launch a bridge between post-industrial synthscapes and blackened drones (between Carter Thomas […]
