A welcomed return with a key and immediately transportive album in the subterranean, ethereal and dark-ambient galaxy to start the year in timeless beauty.
Tag: Soundtrack
ATŌMI :: Little Floating Oracles — “Anemos” video premiere (Lady Blunt)
The video is a visionary drifting of symbolical elements that brings to dialogue two undefinable subjects: the time and the essence of life…
Silent Universe :: Immensity (Cryo Chamber)
Deep space. One of the larger shapes out there is murmuring, it is really huge. Now it becomes a choir, a choir of large shapes so many millions of miles away but right out there just above where we are now, murmuring sometimes, calling sometimes, very slow.
Cyd :: Haute Couture (Subsist & Faith Disciplines)
Cyd encompasses a wide-ranging musical style that ebbs and flows into abstract and delicate forms to more abrupt bass-infused IDM morsels.
Fortresses :: Near (Dragon’s Eye)
Such a powerful ambient excursion dips and dives through the unknown and offers a captivating treasure-trove we should all experience.
Ossa :: Exit Language Translator (Schematic Music Co.)
Exit Language Translator finds itself standing alone as a beacon for others to locate; its mysterious yet cleverly soft distortions and vintage soundscapes are both surreal and serendipitous.
Ian Boddy :: Coil (DiN)
When you dive into these analogous time capsules, the soundscapes and soundtracks seamlessly come to life, as if only a few machines were massaged to create such audible treasures.
Parallel Worlds :: Plector (DiN)
Plector sees Parallel Worlds on his third solo mission with DiN, and once again encapsulates darker atmospheres, especially as the opening title-track showcases so well.
Asshole Galaxy :: Irreparable Damage (Mahorka)
A stunning visceral soundtrack and a mission statement for our world’s “leaders” to pay attention to what’s happened, is happening, and sadly repeating itself.