EPROM’s Memory Rites distills his unmistakable approach to sound design into an accessible new plugin format, giving producers a direct entry point into one of electronic music’s most influential sonic worlds.
Tag: Sound Design
Foel :: Gwasgaru (Machine)
Knowing what Foel built this record out of—a difficult mental health stretch, a fascination with landscapes that are beautiful and hostile in equal measure, a process built on chaos eventually resolving into order, Gwasgaru earns its title honestly.
Aaron King :: Sacred Drift (Glitchpulse)
Sacred Drift is an enjoyable listen, and the clicks, reminiscent of the click-hop movement that emerged in the early 2000s from artists like Microstoria, Pimmon, and early Matmos, bring back those familiar click sounds that add curiosity to glitch textures of an ambient piece.
Camcussion :: More Sprouted Lentils (Detroit Underground)
More Sprouted Lentils is Camcussion operating at full capacity—hardware-driven, unpredictable, and completely unconcerned with playing it safe. In a genre that can sometimes mistake complexity for depth, Doig’s instinct for fun is his sharpest tool.
Dragon :: Ouroboros (Evel)
Ouroboros emerges as a fully realized assembly of extraterrestrial circuitry, endlessly bent, folded, and reconfigured into excitingly unique forms.
Jim O’Rourke & Jos Smolders :: Albumin (Moving Furniture)
Albumin is limited to 500 copies on vinyl through Moving Furniture Records, and it’s exactly the kind of release that rewards deep, focused listening. Put it on, turn it up, and let the textures do the work.
Unruly Disturbance :: Frisson (Not Yet Remembered)
Frisson is proof that Collingburn’s years in the club scene weren’t wasted. He knows how to build tension, how to pace a track, how to let moments breathe. But he also knows when to pull back, when to let the ambient drift take over. For an artist who’s spent nearly two decades navigating the underground dance world and another stretch exploring pure ambient, Frisson feels like the convergence of both.
V/A :: soak vol 2 (Soak)
soak vol 2 unfolds like a damaged transmission from somewhere intimate and unplaceable—32 fractured, emotional, and strangely beautiful pieces stitched together from the outer edges of contemporary electronic sound.
Record Of Tides :: Intercelestial (Mahorka)
Within that tension between structure and collapse, Sven Piayda uncovers a strange sense of ease. Intercelestial thrives inside instability, shaping corroded electronics and broken rhythmic patterns into something fluid, tactile, and strangely alive.
2View — memorysound/Fading Bright & Spectrical/Litchfield (Perceptual Tapes)
Taken together, Fading Bright and Litchfield reveal the emotional and conceptual breadth possible within contemporary ambient music when approached with sincerity and imagination. Both artists resist easy categorization or formulaic structures, choosing instead to create deeply immersive worlds shaped by texture, emotion, and atmosphere.
Vera V Almgren :: I Det Vassa Ljuset (Istid)
Mastered and recorded at Elektronmusikstudion (EMS) in Stockholm between 2024 and 2026, I Det Vassa Ljuset is based on close-miking of organic materials such as wood, metal, stone, and glass. These recordings have then been processed and transformed into software instruments that can be played live. Released on her own label Istid Records, I Det Vassa Ljuset is available digitally and on cassette.

















