Experimental Electronic Music
Burial Grid (Adam Michael Kozak) has long occupied a fascinating space within the darker fringes of experimental electronic music, blending industrial grit, ambient decay, rhythmic abstraction, and noise-driven architecture into something uniquely cinematic and emotionally charged. With NORD Compendium, that vision feels sharpened to its most raw and unforgiving form.
Relentless and uncompromising, the new Kopfkino EP plunges headfirst into sonic extremes—where noise becomes vision, chaos turns revelatory, and transcendence is carved from pure abrasion.
A punishing foray into splintered experimental post-industrial fragments gone awry.
A grueling feast of grit and glitch that celebrates 25 years of music-making—Skymall prepares an unforgiving mix consisting of blistering electro, breaks, rhythmic noise, and magnetized distortion.
It appears that one of our favorite sonic alchemists has dived into much darker waters. Noise ambient and experimental electronics consistently intermix, yet with Aelk Minsur, there’s […]
The mangled industrial-techno distortions that Solypsis possesses are simply astounding as he creates vast, fluctuating, and corrosive pieces.
From heavily distorted bass to rugged beats drenched in cybernetic blips and bleeps, each album exhibits otherworldly soundscapes, scrapes, and manipulated mayhem that could only […]
Ambivalent, enigmatic, always catchy, sometimes menacing, dissonant, lysergic, pulsating, depicting a state of stillness and progression with a hint of melancholia. Whatever the project he decides […]
With its low centre of gravity and alienating, single-word titles, English duo Emptyset are a bit of a nasty propostion within the community of lower-case […]
A compelling and intensely retro-minimal electronic album with eerie, post-human and hypnotically emotional tendencies. Rather discreet but not a new comer in the “oceanic” universe […]
It is simplicity as virtuosity, minimalism whittled with the knife-edge exactitude of a Giacometti figurine. Eight flint-edged “rhythm variations” by Osaka-based AOKI Takamasa, bitumen slick […]
