Experimental Electronic Music
This is synthesized drone with the addition of processed chordal timbres that are longitudinal and unobtrusive. Some sparse and detached crystal-like piano touches are also perceptible, covered by diaphanous, shimmering, and electronically generated vocal timbres.
Dancing Alone is a solid production where no expenses are spared. If you are a fan of Elska’s vocal textures or enjoy translucent gothic-ambient moods and melodies, this album will most appeal to you.
Mike Gale’s Hey Presto, a lightened long-player that tip-toes between lounge, downtempo, shoegaze, and laid-back soundscapes that are cool to the touch, was released in April 2024.
You can hear a lot of pure ambience on See You Someday, however, most of the time it is infused with ambient pop aesthetics, some big string arrangements, and straight up psychedelia.
The 5-track release entitled Faith brings deep peace and beauty in the form of music, which the listener can easily relate to film scores as a rich set of scene imagery comes to mind automatically.
Thanks to Pink B for this break from the action in an overstimulated world, and to bright days of true connection that await ahead. This […]
Matti Bye explores the intrinsic musicality of cinema and inner moving images within a captivating and distinctive style where relaxing lounge orientation meets complex modern jazz interferences; the whole thing connected to densely textured ambient excursions.
Beautifully soothing, diaphanous, and inviting. This album can seduce anyone into touchingly evocative soundscapes for lonesome moments in introspection.
Clearly enjoyable for a quiet home listening session on a rainy day, and ultimately a contemplative delight for your daydreaming moments.
Perhaps what is most astonishing about the flux of noise, beauty, sound, art, collected here is the number of recent recordings from 2018 and 2021. That makes this particular double-album of various artists unique. The other recordings that aren’t new, are rare, or at least difficult to get a hold of. Having them all in one place is a real treat.
Masaya Ozaki explores various sound sources on Mizukara and then manipulates them into comforting or sometimes discomforting new textures. There’s various acoustic instruments that get played with, contributing to the album’s overall variety and different soundscapes.
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