On ADJ’s latest release for Strange But Dance Music, the line between heavy electro/breaks and experimental electronic music blurs to its most surreal form.
Tag: Noise
Damián Anache :: Lento, en un jardín lenticular (Inkilino)
Anache plays a lot with each sound he introduces, and instead of striving for some insane out-of-this world timbres like you may sometimes hear in guitar-driven electroacoustics, he focuses more on building with the more subtle tones he’s creating. Layering and constant variation make this a worthwhile LP for fans of atonal electronic music.
Yoker Moon :: Mood Studies (Waxing Crescent)
Mood Studies encapsulates the transient, fragmented nature of existence, offering a surreal and meditative listening experience that feels both intimate and expansive—a must-listen for those who find beauty in imperfection.
Neutrino Effect :: FAMINE (Labile)
Radiating enigmatic industrial-electronic pulses from Omaha, Neutrino Effect (aka Jon Sanford) ventures into an entirely different dimension with FAMINE, a fourteen-track assemblage, fleeting in length but with the cosmic force of the universe propelling us through its boundless depths.
Apocryphos :: Atrementia (Cryo Chamber)
Atrementia was composed exclusively with circuit bent hardware, home-made oscillators, pedals and electric guitar fed through analog processing. Your memories are dressed in black. I can see them, you cannot hide from my lost eyes. What I hear are warm, analog noise and looped pedal drone balance light and dark, for day dreamers and long nights of reflection.
Giulio Erasmus :: Low-tech electronic music
Son of Alan Erasmus—Factory Records co-founder—Giulio carries forward a legacy of boundary-pushing sound, drawing deep inspiration from the raw energy of early ’80s UK counterculture and the immersive spirit of sound-system culture, blending both in a uniquely modern way.
Irkya :: Mind Fog (Wormhole World)
There’s a meditative quality to Mind Fog, but not in a way that lulls you to sleep—more like guiding you through a lucid dream where each track is a different room in a strange, beautiful house.
Rodrigo Passannanti :: Forgotten Worlds (Cyclical Dreams)
Forgotten Worlds lives up to its name, blending the rich, hidden depths of synthesizers with the extraordinary realms they conjure. It beckons us to explore the enigmatic, untamed heartbeat of existence itself. With layers of complexity and an all-encompassing energy, these Forgotten Worlds are treasures meant to be rediscovered, time and time again.
Özcan Saraç :: Neural Generators of the Auditory Brainstem Response (Evel)
Less than a year after TON, a two-hour-and-a-half glitch mammoth that made it into Igloo’s Best of 2024 round-up, Özcan Saraç is back on Evel with Neural Generators of the Auditory Brainstem Response—and if TON already seemed daunting for its lengths and experimentation, Saraç’s seventh album ups the ante, clocking over 330 minutes divided into twenty-five movements.
Salad Process & pä :: Seconde Peau Plastique_Désaccord (Evel)
At times, the sound feels almost mechanical—like a dishwasher trying to interpret a broken InSinkErator’s message—as grinding microscopic clicks and bleeps collide within their own labyrinth before retreating into four states of shattered stillness.
Bearclaw :: Breach I EP (Clean Error)
With a unique ability to fractalize microscopic melodic elements into intricate soundscapes and minimal synth structures, Breach I reimagines the (hyper) glitch genre with bold and subtle clarity.
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