The thirteen pieces, broken, infected, and deformed from every viewpoint, exude off-center rhythms and fragmented beats in an unabridged collection that seems to have no beginning or end.
Tag: Kaer‘Uiks
Aeon Cub :: Transmissions from Deep Space 909 (STATIONS)
Processing 23 relatively short tracks of off-kilter exp-electronics, drill’n bass, ambient, noise, glitch, braindance, and space station soundtracks, the album is filled with atmospheric debris and four PSAs to keep us in check along the way.
Michael Valentine West :: comp/COMP (uvg212)
You might even draw parallels to the early works of Mouse On Mars, Autechre (“Gantz Graf” era), or even Richard Devine’s industrial-leaning sandblasted synthesizer techniques.
Poborsk :: Theta Cadence (Kaer’Uiks)
Dark electrical passageways never overstay their welcome, guiding us through deserted corridors that beg you to investigate further.
Marco Simioni :: Genetix EP (Kaer’Uiks)
Numerous sonic excursions exist, and it seems certain that Marco Simioni will not only deliver the goods but also develop and unfold them into uncharted terrain.
Igloo Magazine :: Best of 2022
After covering several hundred releases in 2022, many notables—including links to their respective Igloo reviews or release pages—are cataloged here. As usual, there are no winners or runners-up as the lists are alphabetized by artist and selected tracks are featured on our Soundcloud playlist.
C Mantle :: Photisms (Kaer’Uiks)
Right from the onset we can consider this album as an electronic exploration—its tangled, mangled, and clanging industrial tropes are in full swing (ref. “F.rr.t–Cer”) and sliding through crunchy sonic acrobatics.
Özcan Saraç :: OPUS H04S CELL (Kaer’Uiks)
Operating at over 100 MPH, Özcan Saraç delivers claustrophobic electronic mayhem that zigzags with deconstructed non-rhythms and massive slabs of noise that are a workout on the ears.
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