Experimental Electronic Music
The fifteen vignettes that these pieces offer are rather similar in atmosphere throughout disc 1, but a significant shift happens once you reach the unnerving nature of the second disc; though the first isn’t easy either, it does leave a lot more room for relaxing and somewhat reassuring natural sounds…
Contemporary pieces that reflect the ancient idea of the music of the spheres into the world of contemplative electronica.
Each of these five pieces shows a melodic drift, slow, hazy and shimmering in the background. It’s like an organ melody set against the blurry tones of whatever else is happening, which can’t be easily heard.
A soundtrack in which its single moments are most definitely enjoyable and work as such, portraying a good variety of different imaginary scenarios that are apt to the album’s concept.
Poppy H creates dubby, almost aquatic sound structures that are characterized by a downtempo lo-fi feel and whirling electrical debris fields.
Delivering a variety of soundscapes blended in unison, the extended piece exudes ambient, drone, experimental, field recording, and minimal characteristics.
At times some birds join in, overall compared to the tracks before that, I hear a softer wind sound and enjoy the sensation of extended existential ambience.
Jeff Düngfelder (also known as Ümlaut) develops a musique concrète resource and minuscule time-capsules to lose yourself within.
Overall, I feel a recharging of positive energy, higher energy levels, and a purification of negative thoughts, nice and slow with some gem false endings, when things seem to settle down to wrap up, and then starts back up again.
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