Experimental Electronic Music
Some albums get your brain working. You’ll plant some conceptual seed in your mind, and you start thinking or even philosophizing. It depends on the planted seed, how your brain works, mental (dis)abilities, and, oh yeah, the amount of coffee you had that day.
Through multiple evolutions along decades, with a refined combination of harmonies, a deep sense of space, a phenomenology of time and bright sonic manipulations based on acoustic timbres, Japanese artists invite the listener to enlightened and intuitive inner promenades.
In July 2024 the seminal Schematic label released the Brooklyn-based artist’s 12-track album called Density of Traction, a complex piece of art, rich in detail and far from following any common music patterns, which Autechre and Gescom lovers should listen to.
This year, Glitchpulse aim to honor the IDMf legacy with a collection of retrospective releases. Spanning five volumes, this collection will highlight some of the best of the IDMf catalog, offering nearly six hours of music. Each volume features a fresh new track from one of their esteemed alumni.
MOSS provides a gripping and thoughtful listen. Mellow, ambient, relaxing and electroacoustic—hopefully there is more to come from the Mumbai, India-based musician.
Establishing a benchmark for high-definition electronic experimentation, US-based Point Source Electronic Arts explores expansive landscapes steeped in post-industrial terrain, striking a balance between explosive glitch mechanisms and delicate atmospheric textures.
Everything about this zero-sum EP radiates talent, from the grooves, to the effortlessness of the transitions, to the bangers, it’s really impressive.
Breath shines both as an ambient record and as a blend of both ambient and classical, not solely because of the instrumentation utilized, but also because of these really big powerful climaxes that make up for the record’s most engaging moments.
So even though Kilometer Club is doing something new by making electronic ambience the length of something you would hear by the Minutemen or The Germs, it is still long enough at the album level to be considered long form. That’s the paradox: an epic odyssey taken in brief snapshots. There is something very earnest about this approach.
Produced by Anders Ilar in 2015 while in Estonia, Tallinn Acid Tracks is out now via Acid Lathe—an experimental sub-label of Yard Rec—on a limited edition 4-track clear square 8” vinyl made individually on a lathe cutting machine.
A quarter of a century on from optimal.lp’s release, then, its timelessness is still palpable, even enhanced, with the reissue’s addition of three tracks made while working on it, plus a new take on the closing “Tank” (digital only): in prepping the reissue, running one of the masters through a customized reverb unit, he began recording the outcome of this haptic past-inside-the-present dialog.
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