Experimental Electronic Music
Igloo Magazine presents Five Questions for New York-based Black Knoll Editions label operator, musician, and Black Knoll Studio analog/digital mastering Engineer Rafael Anton Irisarri to plunge into his experimental ambient sonic forms, and learn more about the label, mastering studio, and artistic trajectories.
A Very English Wind is a cutting-edge and magnetic EP that stays ahead of the curve by incorporating our favorite gritty electro-infusions submerged in saccharine blips’n bleeps experiments.
Clearly enjoyable for a quiet home listening session on a rainy day, and ultimately a contemplative delight for your daydreaming moments.
Appealing and introverted feelings pass over the full album, trembling at the sounding surface with a hazy solemnity. Colorful and warm, the soundscapes are spiritually nurturing; enriched by subtle melodic lines and cultivate a sensation of freedom and lightness.
This latest EP leans more towards a rusted re-imagined industrial, a palette of smeared and smudged sounds where angles are dangerous with intent. Forged in Sheffield, a 12” of corrosive content.
Each week brings a new musical edition that is intriguing to look forward to, with tranquilized long-lasting subtle dub ambient/techno reverberations.
In this sweetened half-dozen selection, p1nkf1re distinctly catches brittle moments of IDM, electro, breaks, braindance, and, more importantly, has fun with it. It’s the nostalgic sound of bygone days, brought forward to current day levels.
The thirteen pieces, broken, infected, and deformed from every viewpoint, exude off-center rhythms and fragmented beats in an unabridged collection that seems to have no beginning or end.
