Experimental Electronic Music
Iain Law and Darren Taberner, a Manchester-based electronic duo, worked on many projects under various aliases, but their primary focus was Yunx. They released several IDM masterpieces on labels like Void, Pitchcadet, Meson Octet, Ai, and their own Yunxrecordings imprint in the late 90s and early 2000s.
WE FORFEIT return to our semi-regular Mixtape series. Following on from the excellent assortment of Carlos Martín, aka Mynationshit, the lads remain on the Iberian Peninsula and head north.
Serving as a hub for creative exploration and positive self-expression, ECU is the go-to independent record label for international talent, delivering top-tier electronic music worldwide.
Signs captures Purelink’s alchemy at its most liquid and immaterial, mapped in mutations of glitch and glass, rhythm and sound, drum and space by turns subdued and subterranean, elevated and remote.
Brimming with emotive electronics and sharp rhythm patches, Exit Only gives machine music a soul, capturing its essence seemingly out of nowhere.
A surreal blend of sonic hues reminiscent of the Boards of Canada, floating along the edges of ethereal time capsules and atmospheric textures and tones for as far as the eye can see.
The inclusion of Warp Records’ Artificial Intelligence-era themes from the mid-90s is as brief and crisp as ever, with brittle and minimal techno extrusions rounding off the edges.
This Adelaide artist enjoys an enviable craft to his sound. The five compositions that make up Contact sit comfortably in the cooler side of electro, with Featherstone drawing on electronica to add texture and warmth.
