Experimental Electronic Music
Where there is no doubt is that Reflections was decades ahead of its time. This re-issue breathes new life into the tracks, reviving them to bring them back to their full glory, a glory that, thirty years later, continues to be absorbing, engaging and pioneering.
Without the limitations of an hour-long set or the expectation of a dancefloor, Two Hours Or Something showcases what happens when two such artists can cut loose for days on end and test the limits of their imaginations.
Not Even Noticed (aka Carsten Fluck and Lucas Lejeune) should gain some additional traction despite their penchant for more danceable electro-nics than I’m used to writing about.
A soundtrack in which its single moments are most definitely enjoyable and work as such, portraying a good variety of different imaginary scenarios that are apt to the album’s concept.
A truly magnificent and exquisite illustration of influential electronics for the year 2024.
This is an overall consistent and fun LP, one that does not rely on any quirks to be appealing; what Old Haunts can really rely on are its intense grooves, so much so that they’re both the backbone and in the forefront of these tracks.
Dostrotime strikes with bold tracks that are not afraid to go all in, whether that’d be with their explosiveness, intricate live playing, or insane drum spasms.
Constant Current unveils this five-track extended player with fast-moving acoustic acrobatics mixed with ambient streams of subconsciousness and timid melodies immersed in electrically charged layers.
