Experimental Electronic Music
Fragments is a very nice loop-based, drifty ambient album. Some classical sounds appear, such as guitar and piano, and they often evoke very traditionally human themes. The release is well mixed and mastered, and concern was clearly given to each composition.
These memory-recordings expose the complex relationship between music and silence. They say that the ambient umbrella constantly expands the notions of what music might be. The Black Square could be wordless new ear poetry for the constant listener. I think that The Black Square might be a series of sound situations that flow and change as they go.
A powerful amalgamation detailing Acroplane’s musical trajectory as they continue to scrape deep and jagged fissures into the terrain year after year.
Caesura is a very listenable production, with consistent compositions and solid mastering; several familiar classical and acoustic sounds are infused all around.
On this two-tracker for Adepta Editions, Yaporigami (aka Yu Miyashita), a master sound sculptor, wraps distressed melodic landscapes with such strongly engulfing electronic structures that decompose before our very eyes.
Ecotone is a beautiful, serene, delicate, and compelling soundtrack which operates a great dialogue between contemporary classical and microtonal music with an electronic edge.
Sacred Sorceress reveals a great dose of ideas and subtle variations, navigating between pure electronic minimal abstraction, evanescent meditative flows, to more grounded monolithic rock riffs. Some spoken words and a vast array of samples are also used to reinforce the cinematic aspect and to make it more impactful.
Raw Øblations 3: Fed to the Crows is a short sharp shock of an EP by Sombre Lux.
