Through multiple evolutions along decades, with a refined combination of harmonies, a deep sense of space, a phenomenology of time and bright sonic manipulations based on acoustic timbres, Japanese artists invite the listener to enlightened and intuitive inner promenades.
Tag: Christian Fennesz
Fennesz :: Venice 20 – 20th Anniversary Edition (Touch)
Venice is an album that continues to work extremely well, even after 20 years. The combination of lighter-sounding loops with sounds that are more distorted results in a complexity of tone and texture as this remastered version emphasizes.
Fennesz’s Gold Medley
This Viennese slice explores possible worlds contained within computer and guitar, vast reverberant spaces, textural simulacra of the elemental metastasizing through the sound field to immersive […]
Fennesz :: Bécs (Editions Mego)
Not quite ambient and not quite overt noise with Bécs pointedly asking for your attention rather than quietly seeking it out. Editions Mego serve up […]
Christian Fennesz :: Aun: The Beginning And The End Of All Things (Ash International)
Fennesz’ score is likely the most accessible music he has ever written, capturing the nexus of nature and civilization—the sea, the city of Tokyo, the […]
Fennesz Sakamoto :: Cendre (Touch, CD)
Neo-experimental giants engage in post-digital East-West soundclash summit. Post-synthetic encounters post-digital generation. Big in Japan, Vast in Vienna. Ryuichi Sakamoto, reputation (post-YMO) forged in questing […]
Fennesz :: Venice (Touch, CD)
Christian Fennesz works primarily with laptop and guitar and set a new standard for the combination of the two with 2001’s Endless Summer where he […]