Experimental Electronic Music
Years on from his tape-wrangling beginnings, with two Japan tours and a cult following behind him, Joseph Bastardo’s mid-2025 release Polyshades should have marked a defining moment for both the artist and the outer edges of electronic music—even if its quiet arrival now makes this praise overdue.
Northern mysterion Craven Faults maps post-industrial Yorkshire through shadowy analog synths and hypnotic rhythms, with Sidings turning regional history, industrial decay, and seminal music influences into a mesmeric, hour-long sonic archaeology.
The Father Road is a pulse-driven, transcontinental voyage of progressive electronica, tracing the mythic Lincoln Highway coast to coast as Paul Williams’ Church of Hed expands his ongoing musical road saga between Rivers of Asphalt and Under Blue Ridge Skies.
Summer may be over, but the dream of open roads and endless skies still lingers. Church of Hed’s Under Blue Ridge Skies offers a sonic road trip through the Appalachian highlands—where synths, motorik rhythms, and scenic wonder converge into a journey worth taking.
It’s a meditation within a meditation, nested inside a larger invocation that defines the essence of Actions Made Audible—a work that firmly places itself within the Berlin School of music. Precision-engineered machinery with analog Mellotron tape loops feature layered structures, ambient textures, and an introspective flow.
A masterclass in Berlin School-inspired sequencing, immersive soundscapes, and a fusion of electronic textures that recall the golden age of 1970s synthesis while embracing modern production techniques.
The Seven Planes of Dreams draws from a lot of different sources, such as the esoteric idea of five levels of consciousness, the scientific view of different phases of sleep, elements of our daily lives mingling with messages from our subconscious mind and with impressions received from books, or movies, from pictures and also other music.
Robert Logan is no tourist, but an adventurer who is unafraid to get close to the local flora and fauna wherever his music takes him.
To Sleep On Stellar Winds is an epic space music album with Berlin-school influences that feature unique blends of modular synthesizers and wind instruments, to carry all listeners floating along the cosmic breezes to the outer edges of the universe, and beyond.
“The DiN ambient label was set up by Ian Boddy in 1999 to release ambient electronica that bridged the gap between the analogue sound of the early 70’s synth pioneers and the digital soundscapes of the more experimental modern exponents of electronic music.” Now celebrating their 25th Anniversary with a colossal 20 track compilation (CD/Digital), Ian Boddy discusses the label and its history with Philippe Blache.
