Experimental Electronic Music
“The DiN ambient label was set up by Ian Boddy in 1999 to release ambient electronica that bridged the gap between the analogue sound of the early 70’s synth pioneers and the digital soundscapes of the more experimental modern exponents of electronic music.” Now celebrating their 25th Anniversary with a colossal 20 track compilation (CD/Digital), Ian Boddy discusses the label and its history with Philippe Blache.
With versality, skills, and a delectable sense of transcendental escapism, every musical contribution brings tone textures, patterns, timbral experimentations, harmonic progressions, and processed sound motifs to ravish your ears.
The modular maven channels something of an early TD sound-feel via post-Kosmische textures, motifs, and rhythms; new projections in the head cinema, strangely familiar, yet otherworldly.
“Not too dense while remaining always complex and multifaceted, seemingly forever a powerful deep boom marks each cycle explosions and everlasting resistance that in the end sails away on the ocean never to return…”
As a whole, Geirþjófsfjörður has a touch of the epic without being obtuse. It’s a fine balance and finely achieved….
Employing the full range of synthesizer keyboard magic, with sparkling short repeating sequenced runs of notes and rhythmic elements without any drums or traditional percussion. […]
The ambient pieces in particular have a genuinely filmic essence. Epic proportions are scaled by some very minimalist productions.
Legacy does not reinvent the genre, but certainly refreshes it in a spellbinding manner. This is space music in its finest form. Lush, liquid, and […]
Two highly addictive synth-based albums similar in sound but completely different in mood, behavior and style. Both are out via the prolific sonic oven of […]
Airy, spatial, with shuddering modulations, shades of unquiet, odd disembodied voicings in remotion, suggestive dissonant swells. Celer‘s remote yet intimate tonal stream of consciousness has […]
