Experimental Electronic Music
Transmission 009 achieves a striking unity of sound across all of its thirteen tracks. This could even all be the work of one artist, but it’s not. While there are differences, the commonalities between these musicians flow together in sequence to create a lush tapestry.
Chronicle contains aspects of industrial, techno, and ambient genres; with due sophistication, it meshes well with music from an earlier era.
The complete pieces are reconstructed settings from a human perspective. In them, you can hear subtle changes, and arguably some development. The album is mainly atmospheric, communicating a wide and subtle range of gloomy impressions and moods.
Scarper takes a high-octane approach to his already accelerated exp-electronics trajectory.
A superbly designed extended player with detailed, granular sonic extensions to make us all feel at ease. Ethereal drones and finely delineated IDM morsels DoorHead’s […]
The project focuses on sound textures, an exploration rather than a pure melody, at others, the feeling comes across like the low-end rumble of a beat-less Berlin nightclub seeping up through the floorboards.
A pleasantly relaxed transmission of minimalist, nearly imperceptible soundtracks from Mono Hideout’s Visions EP for Adventurous Music ignites something extraordinary and surreal.
“The DiN ambient label was set up by Ian Boddy in 1999 to release ambient electronica that bridged the gap between the analogue sound of the early 70’s synth pioneers and the digital soundscapes of the more experimental modern exponents of electronic music.” Now celebrating their 25th Anniversary with a colossal 20 track compilation (CD/Digital), Ian Boddy discusses the label and its history with Philippe Blache.
