Experimental Electronic Music
Baby, It’s Cold Outside may be seen alongside other KeplarRev reclaims (e.g. optimal lp, Herbstlaub) as unearthed ambient-electronica treasure, or a cold case re-warmed by fresh investigation; and what still distinguishes it 15+ years on is that it not only raises the ghost in the machine, but elevates it above.
sewer sender continues, despite its end, to be an expression; an expression of friendship, of emotion and of music. The final chapter of this “novella” may have come to a close, but the sounds that were crafted by the contributors will continue into the infinite.
This sprawling, sandblasted opus brings together a stellar constellation of avant-garde visionaries—Meat Beat Manifesto, Proswell, Cathode Ray Tube, AZ-Rotator, Rontronik, ΠΕΡΑ ΣΤΑ ΟΡΗ, Scape One, Roel Funcken, Deru, Kindohm, Vytear, and Robert Logan—each sculpting sound into surreal, shimmering form.
In No Memory is calming, haunting, and ethereal, its deep undertones of dark ambient and industrial threads weaving a hypnotic atmosphere.
Compact yet immersive, Welcome to The Aviary is a cohesive narrative of sonic exploration. Mechanoreceptor conjures a detailed, imaginative world in just six tracks, balancing momentum with meditation, structure with shimmer.
Four quite open and complex questions are the starting point for the creation of a rather personal guest mix that blends sound, imagination and memory. This new series is curated by sound artist and music producer Maria Papadomanolaki also known as Dalot for Igloo Magazine. Interlude focuses on female artists and aspires to highlight how exceptional, skillfully crafted and varied the responses can be. Interlude #1 :: Karen Vogt
An album conceived as if it were played by a bodiless orchestra, where resonances, feedback, Tibetan bells, synths, and trumpet come together in an electro-acoustic tone guided only by the intent with which it was created.
Robert Logan clearly shows no intention of either slowing down nor producing anything less than the complex, evocative and multifaceted acts of music he is known for.
An epic imaginary soundtrack for a fanciful film noir. In a dreamlike and nocturnal atmosphere, filled with rain and decaying sounds, In Darkness Let Me Dwell—available on Owl Totem, a “dark vibes” division of Dronarivm Records—deconstructs, reworks and wants to pay homage to the imagery and clichés of cinema noir.
Marking a dynamic finale for Error Engineer enabl.ed’s (James Batista) glitch-drenched trilogy—ErrorBalm Vol.3 [Stabilized] is a work labeled as “stabilized,” though its restless spirit tells another story.
Centered on extended drones and relaxed, repetitive acoustic motifs that gracefully interact within a consonant sonic space, inviting the listener to reconnect with a deep sense of awareness and spiritual freedom.
