Experimental Electronic Music
The artists on the roster, each crafting their own fractured soundscapes, represent the state of experimental electronics in a decisive way as the appropriately named imprint actively pursues all types of visual-audio creation—bringing together a wide range of talented musicians.
This new album presents intricate, diversified and ultimately swelling soundscapes of magnetic grandiosity.
Reflections On A Moonlit Lake is a meditation on freshwater mysteries and the delicate feelings of being at a lakeside camp in the wilderness. Rudy Adrian paints sylvan scenes with sound. There are no maddening blood-seeking insects at this lake.
It feels almost odd to say that this is Adam Wiltzie’s solo debut album; Wiltzie has been working in various groups for over thirty years, groups with which he’s amassed a pretty large catalog, but one that was lacking his very own solo creation.
Where there is no doubt is that Reflections was decades ahead of its time. This re-issue breathes new life into the tracks, reviving them to bring them back to their full glory, a glory that, thirty years later, continues to be absorbing, engaging and pioneering.
Atmospheric sustained chordal drones with changing textures and tempos. The proportions create illusions, flying at a great altitude might appear to be slow from a distance, but the intervals traveled are astounding, and the one who is flying is probably catching the greatest sense of motion, as perceived only by the constant listener.
The sounds of the cosmos describing itself. Six magnetized electronic components come together in the Stark EP—all in sequential order from 1 through 6.
Designed to be listened to on headphones, Chad Mossholder finds more ominous micro-glitch nuances hidden behind these eight sonic peripherals.
