The collection of tracks compiled for this double album provides an absolute exquisite sense of electronic isolationism. Static, deeply moving winter-like ambiences and textures which […]
Recent Posts
Gyu :: Supreme Being EP (Drawn)
A wonderful embodiment of mood in a quality EP, Supreme Being pushes forth with an earlier 2000’s two-step/garage style forged with deep and bass heavy […]
Willie Burns :: Another Place, Another Time (Sequencias)
The pole position enjoyed by House for the past few years will undoubtedly break, and probably sooner rather than later. This won’t matter so long […]
Rael :: Frame 4-6 EP (nonine)
Frame 4-6 is an engaging and explosive EP which releases an orchestrated stylistic fusion between chilling-scary cinematic synth ambiences and swirling hypnotic techno inflected minimalism. […]
Disco Volante / Christof Glowalla :: Double review (Medical)
This well of riches is primarily plumbed by US labels, the imprints sinking drill-bits deep beneath the crust to mine out the mascara rimmed gold […]
Quench :: Hallstreak Foles EP (Funckarma.com)
As Hallstreak Foles gathers Quench fans for a taste of atmospheric sonic undulations, it also further reflects on the ever-changing landscape that Funckarma have inhabited […]
V/A :: Birds of a Feather (Flaming Pines)
Hatami says he has always been fascinated by the black woodpecker and its unique dining habits. Living in Sanandaj, Kurdistan, at the foot of a […]
Hidden Orchestra :: Archipelago (Tru Thoughts)
Hidden Orchestra is a strong, crystallized musical entity that draws inspiration from a wide spectrum of genres, and with distinctive signature sound and style will […]
Mind Over MIDI :: Monolog (diametric.)
The thirteen tracks of Monolog map a dark and introspective world, a pallid world of leaden atmospheres and weighted dawns. An excellent work of modern […]
Yellow6 / Egsun :: Worth Wasting Time (Somehow Ecstatic)
It’s a soothing and sophisticated album, ranging from Attwood’s actually quite uplifting “decline” to Egsun’s intertwined plucking and bowing on “Abracadabra,” somersaulting us to the end. […]
















