Tim Martin had reached new heights of hyperactivity at our last igloo-view of Maps and Diagrams; there we found him ‘between mood paradigms of light […]
Recent Posts
New Dead Fader Material
Dead Fader (AKA John Cohen) will release two full length albums across two labels on April 21st, 2014. This video for the track “Tubed” is […]
CLOZEE :: Saturating melodic glitch-hop
Clozee is 21 year old Toulouse native Chloe Herry. The last year has seen releases on Gravitas Recordings and Digital Whomp showcasing a uniquely flavored style of […]
Lucy :: Churches, Schools and Guns (Stroboscopic Artefacts)
Experimental without being inaccessible Churches, Schools and Guns inhabits an excellent netherworld of dark technoid rumblings, sound design and synth abstraction. Not content with running Stroboscopic […]
Kofe :: Balance (Other Voices)
Kofe handles an interest for a singular and dynamic hybrid between futuristic-structural electronic synthscapes and darkened catchy new wave pop. Other Voices Records is a […]
Fabio Orsi :: Endless Autumn (Backwards)
A never-ending autumn, a state suspended in between the stark and bright and the cold and dark, a permanent amber moment to reflect fondly on […]
Aloa / Roladex :: Double review (Medical)
The new year is here. Resolutions bandied about, liked and retweeted. But some old habits can be hard to break, and others shouldn’t be. Medical […]
Antidröm :: Antidröm (The Association for Depth Sound)
The self-titled CDR release from Cambridge-based ambient and drone musician Antidröm is a sharp and provocative title, making clever and complex use of horror samples […]
Neud Photo / Zarkoff :: Dimensions (Kraftjerkz)
Neud Photo is part of that exciting new breed of American artists. Since 2010 Nico Nightingale has been delivering his brand of analogue rich electronics […]
Mark Harris :: The Angry Child (n5MD)
The musical language is articulated between formal electroacoustic experiments and directional tonal clusters. Sound designer and live electronic musician from Birmingham, Mark Harris is back […]
















