Boy Is Fiction extends both ends of the sonic spectrum: going deeper into complex, cinematic sound design for ambient passages and cranking up the intricacy of his glitchy, multilayered beats.
Recent Posts
Oberman Knocks :: Conder-Rhyptik (Aperture) — Track premiere
Ravaged clicks and mangled machinery aplenty, Conder-Rhyptik packs a baffling punch to the senses; an impenetrable sonic foray sitting comfortably on the outer edges of an expanding universe
Nike_Vomita :: TUN011 (Móatún 7)
Glitchy strands morphed with an acid tinge, electronica, techno, and heavy bass thuds, found sounds and blissful melodies swirl.
rand :: Peripherie (Self Released)
rand offers minuscule audio Polaroids where abstract pitter-patter notes glide with highly-tensioned strings vibrating in the most unusually calming tangents.
James N Murray :: An Emerald Necklace (Dragon’s Eye)
Hidden complex beats, electronically restless, constantly shimmering about. The percussion pushes the whole thing just under the repeating melodies.
Greg Davis :: New Primes (Greyfade)
Greg Davis is exposing us to a work of simple tones made with prime numbers but with intention and purpose. Bravo for venturing into the small cracks of audio art that most don’t even see.
Precenphix :: Off-Axis (Not Yet Remembered)
Hinting at industrial, glitch, IDM, clicks, and disjointed cuts wrapped around technoid structures, it’s so jam-packed, that it’s a challenge to unfold each layer; this is a good thing.
Dead Melodies :: Memento (Cryo Chamber)
The emotional ebbs and flows are deliberate with guitar and piano speaking to our unconsciousness.