If the remaining six tracks of dan/s follow the lead of this opening trio, Slowcream’s return marks a significant chapter not just in his own evolution, but in the broader conversation surrounding contemporary electronic music as a platform for critical, interdisciplinary expression.
Reviews
Gånggrift :: Tidbits For Worms (I Shall Sing Until My Land Is Free)
What results is not merely sound but a howl—a raw, unfiltered transmission from the fault lines of civilization. Brutal, surreal, and resolutely unpolished, this is music as witness, as offering, as rupture.
Vortex Count :: Mantra Remixed (Polygon Network) — [concise]
Together, these explorations form a captivating mosaic of splintered downtempo clicks and cuts, crafted from the upper echelons of experimental electronic music.
Jolanda Moletta and Karen Vogt :: Sea-swallowed Wands (quiet details)
Their approaches, methods, and sound signatures are relatively aligned, revolving around microtonality and meditative spiritual stillness. Such a creative dialogue can only be harmonious, guided by an imaginative force that invites the listener on a mental journey elsewhere.
Roel Funcken :: Sprown EP (Science Cult)
There’s something sleek, fluid, and neuro-electronic unfolding within Roel Funcken’s sonic realms. A master of abstract rhythmic manipulation, the Amsterdam-based audio architect continues to shape complex, captivating compositions with seemingly effortless precision.
Kettel :: Inmate Shuffle EP (Analogical Force)
A vibrant array of rhythmic and melodic flourishes defines Inmate Shuffle, a five-track suite from renowned Dutch IDM craftsman Kettel (Reimer Eising). Each piece, concise at around five minutes, showcases his enduring ability to fuse intricate beats with poignant, melodic expression.
Pan Thorarensen :: Ljóstillífun (U Know Me)
Expansive and hushed, the landscape breathes through each piece, as Thorarensen captures its elusive essence using custom microphones—drawing out subtle sonic layers interwoven with synth hues and an almost tactile sense of presence.
Bill Vortex :: Musiques Imaginogènes Vol.2 (Serendip Lab) — [concise]
A kaleidoscope of electronic elements radiates vintage disco energy, anchored by rich rhythmic architecture and elastic melodies.
Death in Vegas :: Death Mask (Drone)
The nine tracks of Death Mask fall into techno. However, such labelling does this record a disservice. Richard Fearless is pushing the limitations of the genre and forging new paths within the sound. His ability, and years of experience, come to the fore as new audio explorations are charted.
The Jaffa Kid :: Interactive Composition (Waxing Crescent)
This body of work stands as a singular achievement—uniting fractured percussion, deep low-end gravity, and razor-sharp production. Each piece resonates simultaneously as a cohesive statement and a series of singular visions.
rinse.repeat :: Machines like Candy Too (Clean Error)
Across this collection of concise compositions, modular synthesizers stretch and twist, weaving intricate strands of melody beneath tough, textured Skittles-like surfaces.

















