Turquoise extends, chromatically eponymous in aspect, over four tracks full of graceful washes of guitar-wrung tone-melt, drawing out slow flow melodies assisted, the press blurb […]
Reviews
Birds of Passage :: This Kindly Slumber (Denovali)
In the depths of the cold gray winter, This Kindly Slumber is an embracing warm port to dock your heart in for a while. Alicia […]
Shifted :: Under A Single Banner (Bed Of Nails)
Although an initial parse of the album might leave one with the distinct feeling that not much is actually going on in Under A Single Banner, […]
Organisation Toth :: The Sword of Creation (Rage in Eden)
The conceptual background appears to be implicitly linked to Nietzsche / Spengler’s modern decadence, the sovereign virtues of the ancient world, found of the occultism […]
Morphology :: Intercal (Central Processing Unit)
Intercal is bleak and involving, warm and estranging; in short, everything good electronic music should be. Morphology have been quiet of late. After years of […]
Pausal :: Sky Margin (Own)
The sky, regardless of marginalia, is hymned as winsome, as radiant, as before; but by adding new skin to the old ceremony, finding a natural […]
Vatican Shadow :: When You Are Crawling EP (Hospital Productions)
Vatican Shadow follows up his debut album Remember Your Black Day with a new EP of material that, if anything, is even better. Vatican Shadow’s […]
Bombay Dub Orchestra :: Tales From The Grand Bazaar (Six Degrees)
BDO’s third album is a fine east meets west affair that shines with grace and individuality within genre districts flooded with sonic recycling. I have […]
Coppe’ :: Void (Mango + Sweetrice)
Void ventures into much darker terrain (for her) though, and for the first time the album actually sounds like it may have come at a […]
Ricardo Donoso :: As Iron Sharpens Iron, One Verse Sharpens Another (Digitalis)
As Iron Sharpens Iron, One Verse Sharpens Another takes the best elements of his previous two LPs and combines them to form a racy, atmospheric […]
Kaeba :: Mirrorless EP (Self-Released)
One half of Plaster whose finely sculpted electronics have recently graced a number of labels including Touchin’ Bass and Stroboscopic Artefacts. Kaeba is Gianclaudio H. […]










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