Bracaloni’s latest traverse moves through warm, spacious soundscapes built for getting lost within, where atmosphere lingers long after each piece fades.
Reviews
SUAHN :: Distort Everything Forever (Self Released)
Distort Everything Forever opens in ambience, spends most of its middle throwing rhythmic and low frequency chaos at you, then returns toward atmosphere at the end.
Ervin Omsk :: Der Saal tobt (Orange Milk)
Multiple active listens never feel like a chore, and are instantly rewarded by the lavishness of the sounds and the cleverness of the compositions, bringing together awe, humor, and bewilderment. And what else can we ask of experimental music?
Strugatsky Brothers :: Window To Askoy (Zoku – Zoku)
Everything about the sound design and palette of Window To Askoy seems suspended in the heat of summer rains and tropical smog. Yet it’s the soulful element that’s paramount: an exquisite melancholy and blessed-out bliss shape the ventricles and vessels of these lean cuts.
Lost Myths :: Lost Myths vol. VII (Lotophagus)
All in all, an emotionally intoxicating, bizarre yet alluring ghostly-ambient trip, augmented by dark clouds of noisy elements.
Unterm Rad :: The Getaway (Mahorka)
The Getaway could easily have stood on its own, but the remix sequence expands its central idea: fractured industrial sound behaving almost like an alien transmission, constantly mutating through minute edits, glitches, and rhythmic interference.
The Bug / Friday Night Plans :: Ladybug 2 (Pressure)
The Bug’s Ladybug 2 pairs his heavy, hypnotic bass pressure with Friday Night Plans’ hushed vocals, turning six versions of “Miss U” into a dark, immersive journey where dub, shoegaze, and electronic melancholy slowly dissolve into one hypnotic flow.
Philippe Deschamps :: Wind Paths (Silent Sonic)
When the final sound fades, the small white emblem at the bottom of the cover comes to mind. A wave reduced to calligraphy, discreet while the blue occupies everything. Wind Paths works in much the same way: it passes through the listener, leaves behind a faint vibration and entrusts the air with carrying it away.
Ian Hawgood :: Live at Still Point 2026 (Folk Reels)
Hawgood has tied Folk Reels to the idea of a mobile archive, a repository for scattered works, old tapes and encounters. Live At Still Point 2026 introduces a welcome fissure into that archive. To preserve also means admitting loss and giving it an audible measure.
Giulio Aldinucci :: Materia (Karlrecords)
Giulio Aldinucci has made an album that seems acquainted with the unnamed part of human nature, the part that surfaces in sleep or in the few seconds before news capable of changing the course of a day.
survey channel :: Macrozones EP (Self Released)
Macrozones ultimately feels like a succinct collection of lost time capsules, each one preserving a slightly different shade of distant sound, blurred memory, and quiet unease. A sonic pallet worth every minute of our time.
Recent Posts
CURSES :: Next Wave Acid Punx TROIS! (Eskimo)
Cognition Delay :: Less Invasive (Neo Ouija)
bvdub :: Morning Glories (quiet details)
Fortresses :: Here EP (ROHS!)
Edmondo Annoni :: Interbeings (Shimmering Moods)
V/A :: ZEROFOUR EP (Black Shapes)
Steb Sly :: The Galaxy Projector (Self Released)
Ignatius :: Noxi Melank (Evel)
