Whether APF7U is user friendly or not is debatable, nonetheless, User Friendly provides ample glitched-out and sliced’n diced electronics shifting from broken rhythmic forms to more coherent threads.
Reviews
Futuregrapher :: Geirþjófsfjörður (Neotantra)
As a whole, Geirþjófsfjörður has a touch of the epic without being obtuse. It’s a fine balance and finely achieved….
Microfilm :: O/V/N/I (Self Released)
After several dreamy ups and downs, in the end, artists Matthew Mercer and Matt Keppel are on to something; something almost cinematic.
V/A :: INFOHAZARD (Renraku)
INFOHAZARD exemplifies Renraku’s vision of releasing audible tectonic plates scraping against each other like we’ve not heard before.
marine eyes :: chamomile (Past Inside the Present)
Each passage is soaked in true feelings that chooses warmth to fill up our own negative space.
Le Perche Oreille :: We Are Robots (Concrete Collage)
We Are Robots provides plenty of brittle collisions and polished sonic artifacts with curious melodies and briskly shuffled rhythms…
Paddy Thorne :: Lost Cause (Part Two) (Mighty Force)
Lost Cause (Part Two) is most definitely right up there with the Inkipak album as Mighty Force’s finest album to date. I’ve no doubt though, there’s more great things to come from the label.
Boy Is Fiction :: Deeper Than Static (n5MD)
Boy Is Fiction extends both ends of the sonic spectrum: going deeper into complex, cinematic sound design for ambient passages and cranking up the intricacy of his glitchy, multilayered beats.