Carter’s pieces tend to be almost mathematically simple, elegantly building stories out of polygons of repetitive melody, and Bailey leaves his impression on them as […]
Author: Stephen Fruitman
Osmiroid :: Dromstbles (Self-Released)
As sound, it is disfunctioning machine whirr and radio-wave disfrequency traveling through non-place urban realms, but it plays out as meticulously composed and dramatically narrative […]
Maëror Tri :: Emotional Engramm (Zoharum)
The trio’s distinct sound was the result of its refined treatment (the seven pieces were three years in the making) of acoustic instruments, primarily guitar, […]
Inch-Time :: Myth and Impermanence (Mystery Plays)
Inch-Time rises from his laptop and drafts real jazz instrumentation. [Release page] Inch-Time is Australian-born Londoner Stefan Panczak and Mystery Plays his own imprint. I […]
Marihiko Hara & Hideki Umezawa :: Jigokuhen (Wist Rec.)
The “sound report” composed in tandem by Marihiko Hara and Hideki Umezawa, multimedia artists from Kyoto and Tokyo, respectively, is quiet and scraggly, just as […]
Park Avenue Music & Cuushe :: Double review
Park Avenue Music :: For Your Home or Office (Mü-Nest) A very welcome re-release. Because of its nifty, “That Girl” modernist advertising art (its layout […]
Sheepscar Light Industrial :: Multi-review
Keeping good on its promise to release three new records every thirty days or so, Sheepscar Light Industrial offers up bite-size but chewy taste teasers […]
Marbert Rocel :: Small Hours (Compost)
The album describes the progression from early evening hours to the early morning hours, and like every all-nighter, there is the inevitable lull…When the sax […]
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