Dublab is a kind of beat music super-posse, a non-profit encouraging “positive” and gloriously unclassified music, art and culture. There are so many inviting digital quays […]
Author: Stephen Fruitman
Fescal :: Two Winter Poems (Dronarivm)
Simply stunning, Fescal’s miniatures raise maximum goosebumps. South Korean multimedia artist Fescal has been inspired by two poems by Alexander Pushkin in the creation of […]
Sima Kim & Tim Bass :: Double review (Twice Removed)
To two small but always dependable, softspoken Australian labels (Hidden Shoal and Preservation) was added a third at the very end of 2011—Twice Removed. To […]
Michael Trommer :: HTO (3LEAVES)
Toronto’s waterfront is extensive and varied and has undergone profound change, some of which has impacted this liminal region positively, some not so much. Michael […]
Zilverhill :: Laodoicean (Adept Sound/Blind Shouter)
A sacral-industrial passage suggests some creepy cathedral attached to a munitions factory. In the end, something wounded limps away, dragging its heavy tail in the […]
AIDAN BAKER :: Multi-view
Aidan Baker‘s doom ambient duo Nadja with fellow Torontonian, bassist Leah Buckareff has long been a successful going concern, but his solo discography was already […]
Alejandro Franov :: Champaqui (Panai)
Champaqui is very organic music, there’s always something chirping, twittering, sweating, slithering and stirring in the background, with a very human presence The little Japanese label Panai […]
Casi Cada Minuto :: In White Rooms (Exitab)
Casi Cada Minuto is a collection of ambient miniatures not unlike the instrumental tracks on Brian Eno’s Another Green World, evocative of pacific dreams on the […]
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