RVDS, Richard Graf von der Schulenburg, undoubtedly has the silver box bug. Yet he comes at the writhing wiggle of acid like few others. His […]
Author: Robbie Geoghegan
Ioannis Savaidis :: NSA Trusted Networks (Lower Parts)
The coldness of the machine only appears in the higher notes, frost clinging to them as they descend from the stratosphere. Structures are transparent, plates […]
V/A :: Fashion Victims (Fenix Fire)
New Beat has taken a back seat and despite notable exceptions this very Belgian sound has remained on the margins. And perhaps that’s where it […]
The Exaltics :: 10 Million Light Years EP (Solar One)
It’s great to keep the old days alive, to celebrate those that started everything, but I’d be inclined to think that we are now living […]
Sebastian Reuschel :: The World is Shit (ZCKR)
Across two tracks, some twenty five minutes of music, field recordings, live music and machine groans are brought together. I’d the recent joy of moving […]
EOD :: EODS | TVTM :: Alphanumerix (WeMe)
The squirming acid playfulness of Braindance, the cold shot of electro with some light sprinklings of electronica are the hunting grounds of both platforms with […]
Dream Scoring :: Images of a Myth (Naissance Musik)
Images of a Myth may be a modern record, but its roots are firmly planted in the traditions of 90s electronics. Sounds are deep and […]
Freddy Fresh :: Comacid (Forced Nostalgia)
If Comacid is your starting point for the music of Frederick Schmid you are in for a treat, with this 12” and in the unearthing […]
Raderkraft :: Keine Richtung (Testlab)
Stinissen mentions his love of pre-MIDI sounds and Raderkraft certainly has an uncluttered style. The coldness of electro is ever present, but there is also […]
Wolf Dem & THRIVE :: Double review (Great Circles)
These lost echoes of the golden days still reverberate in Great Circles, they reverberate alongside the true possible savior of the rust belt: the computer. […]
V/A :: Signs of Decay 2 (Solar One Music)
Signs of Decay 2 picks up where its predecessor left off with five tracks which all growl to their own different beat. As in Signs […]











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