The overarching style comes from the pits of punk, a mechanized revolt of pistons and gravel. Yet there are softer moments lurking under those creaking […]
Author: Robbie Geoghegan
Luciano Lamanna / Cosimo Damiano :: LB19 (Love Blast)
It’s obvious that this pair didn’t come to techno in the usual way, their music (and inner labels) tell of a punk past. They’ve come […]
V/A :: Echt Walle Traxx | Lem/Tobs :: Double Portrait (Drowned)
The crew of Drowned definitely lean towards the darker edges of the dancefloor. An elbow, followed by a shoulder and then a shove is how […]
Enzo Kreft :: Dark Matter (Walhalla)
There’s a weird and wonderful quality to Dark Matter. It follows no line, in many respects Kreft was one of the progenitors of synth wave […]
Rhyw :: Rhyw TH05 (TH ± Tar Hallow)
Drums rain down, battering into a bulwark of bass as a bludgeoning techno beast takes form. Moody and malignant, the EP has a haunting and haunted […]
Breaklab :: Reet (ZCKR)
Ambient is the style pursued across the five installations. Resonance, echo, fade and decay are the central tools. No tracks are titled, in fact they […]
The search for Aphex Twin, the unearthing of RX-101
There’s an undeniable romance attached to the music of Richard D. James. Aphex Twin coined a sound in the 90s that refused to sit in […]
Mike Davis :: Dreamland (Carousel)
Thought provoking sounds with just enough thump, cerebral electronics without the pomp; simply put, a wonderful 12” from an artist I’ll be keeping a close […]
Posh Isolation :: The less trodden trails of Copenhagen
In an age where so much electronic music has chosen to strip back, to dumb down and pander to the room, this Danish imprint has […]
Nacho Patrol :: Panter 777 (Minimal Rome)
Panter 777 sees the synth junkie return to one of his lesser employed pseudonyms on the label which first debuted it. As a youngster I […]
Mynationshit & Red Blood Divine :: Double review (Waste Editions)
What’s in a name? In musical terms what you call yourself shouldn’t really matter, but it can. I can’t deny it, I pulled a face […]











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