Experimental Electronic Music
Interlinked through shared signal and intent, Reticle emerged in early 2024 as a transatlantic alliance between Málaga’s inoperative system (Diego Ruiz) and Portland producer b0t23 (Beau Crouch), setting the foundation for a forward-leaning electro vision now pushed further through radical reworks of “Iluvia” and “Simplo” courtesy of ADJ, Justin Maxwell, Ignatius, and Rec_Overflow.
Kostya Kokokei completes his Mestnost triptych with Evkalipt, a quietly radiant ambient suite where meticulous electronic structures shimmer, drift, and dissolve at the meeting point of memory, motion, and dreamlike perception.
Tanner Volz resurfaces with Rian Callahan under their VOCAL alias with Instrumentals, a decade-long, ten-track surge of cinematic synth and industrial momentum that unfolds like a shadowed audio dossier.
Konstantinos Gkoumas’ One going two big emerges as a dense convergence of left-field abstraction and subtly evolving electronic systems, projecting an elemental force shaped by fractured rhythms, arcane textures, and ever-shifting sonic passageways.
On Ecomediums, survey channel shapes a serene downtempo current of ambient electronics, where hushed synths, weightless drones, and gentle rhythms dissolve into a tranquil, all-encompassing glow.
A quietly confident five-piece suite on K9 Deloris, Equilet channels an intimate, IDM-rooted elegance—where ambient flutter, glitch-detail, and modular haze unfold with patience and poise, recalling a time when electronic music favored late-night introspection over spectacle.
With its final transmission, Point Source Electronic Arts closes the circuit in full stride, assembling a wide-ranging, deeply considered body of work that honors its legacy while letting the signal fade on its own terms.
Christian Kleine returns as a trusted guide in emotive electronic music, with Inside Outside unfolding twelve memory-rich, melodious instrumentals that favor warmth, motion, and quiet evolution over spectacle, reaffirming his mastery of intimate, restorative soundscapes.
With endlessly looping synth forms and a soft, nostalgic glow, Corrosion / Collision unfolds as a calm, two-track journey through ambient fizz, drifting melodies, and quietly hypnotic momentum.
Across glitch-saturated terrain, Celine Arnauld asserts total control on Log Out—a micro-scaled, high-discipline assault where industrial IDM pressure, volatile voltage surges, and precision sound design converge into tightly framed, repeat-ready electronic transmissions.
Tim Koch and Adrien Capozzi, operating as Dolphins of Venice, twist Captains of Industry into a sly, sharp-edged Mahorka release where abstract funk, fractured IDM, and corporate satire collide in restless motion and meticulous disarray.
