Though Frequencity doesn’t rely on any one particular audible path, it pushes through new branches of thought — as the cover-art depicts — to unveil […]
Author: igloomag
Kemek :: Ultimately Always EP (Architects + Heroes)
Though most of this five-tracker is veiled in minimal fractures of analog-to-digital distortions, time is fully stretched exposing the raw nature of experimentation without losing […]
Randomform :: Enfeld (High Grade Media)
Displaying extraterrestrial diversions, microscopic attention to detail and oblique movements, a peculiar vision of future worlds unveils itself, if somewhat subliminally. Darkened by fractured beats […]
Randomform :: “Enfeld Shell” video (High Grade Media)
“Enfeld Shell” video taken from forthcoming album Enfeld, out soon on High Grade Media. Randomform – Enfeld Shell from Charlie V. on Vimeo. Bucharest’s Sorin […]
Red Basement Records launch
Red Basement Records L.L.C. launches record label focusing on the best new music from various electronic music subgenres. Retrogramme, Selfish Boy, Force Drift among initial […]
ADJ :: Freestyle Electronics Mix
DOWNLOAD (Duration: 43’19″ | 100.3mb | Right click & Save link as…) Andy Jaggers of Outside Recordings recently released Beats, Blips & Other Dimensions on UK-based Shameless Toady. Quoting […]
C.DB.SN + Scaffolding :: Covalent States (Plastic Sound Supply)
Subdued percussive elements float alongside shimmering synth notes as melancholic deconstructs cast curious shadows on the current state of rhythm-inspired IDM explorations. [Release page] Fragile […]
Five questions for spa.RK
Five questions with Barcelona-based spa.RK. Discover the sparks, challenges and triumphs of this decade young imprint that continues to etch a groove for the next […]
Dicepeople :: It Gets Darker (Sonic Serendipity)
Dicepeople keeps a defined rhythm from start to end; an interplay of past, current and future machinery working in harmony. And while it’s difficult not […]
To Destroy A City :: To Destroy A City (n5MD)
Crossing the subdued (and often time-stretched) qualities of Syntaks and the lively acrobatics of Run_Return, what separates TDAC is the spacious connection and subtle interactions […]










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