ECC tap into the earliest forms of electronic music, from synth-blasted electro, breaks, techno, glitch, bass, and IDM…
Tag: Techno
Permutation :: Epicycles EP (Permutation)
Permutation are true sonic artisans, two who have been raised on the traditions of the best UK and US machine music.
Stephen Mallinder :: tick tick tick (Dais)
Mallinder puts the music firmly in the present while calling back to elements of the past and hopefully setting a course for more great music in the future.
RX-101 :: New Discoveries (Suction)
A treasure trove of music has been curated by Suction, created by Erik Jong, and long may they keep unveiling modern masterpieces of a time now past.
Qualia :: Qualia EP (U-Trax)
A mixture of old-school electronics, acid, breaks, techno, and electro that submerges itself within layers of sublime ambient undertones and drones.
Hypnos :: Vindictiveness (Mahorka)
These audible formations have more to do with mystery and exploration than any particular genre or musical style. A timeless and fully engulfing journey.
Rekab :: Back in Flight EP (Nightflight)
Four visions of fine mental and physical techno electro excursions; preserving the deep lineage, while exploring innovative territory.
The Follower :: Waiting, Occurrence, Dissolve (Concrete Collage)
There are peaks and valleys on Waiting, Occurrence, Dissolve that reward the listener with left-field sound mangling from the outer edges that continue to unfold with each listen.
Werra Foxma :: Double vision — Morgen Wurde & Tis / autumna
Since inception in 2020 Edinburgh’s Werra Foxma Records has quietly gone about curating some fine electronic music, with two of its more recent offerings from Morgen Wurde & Tis and autumna getting an igloo ‘view.
Supercoastal :: Blue Noise (Self Released)
Where blissful rhythms blurred by technoid fissures and brightly polished melodies flourish, one can easily slip into these cool, springtime sonic branches.
The Snodgrass :: Styloid Process EP (imputor?)
Two decades later and The Snodgrass (aka Jordan Snodgrass) returns to his roots by pulling on them from the imputor? depths—seven tracks of machine music from outer space, he’s still got that fuzzy experimental electronics vibe.
















