Everything on this release is easy to put on again and again, with so much going on it’s virtually impossible to take it all in during one sitting. Careful which track you choose to repeat though as you could easily lose your week to this one.
Tag: Soundtrack
Weldroid :: Apprentice of Chaos (Section 27)
A solid package showcasing the artists’ ability to flex and fracture darkened electronics within the constructs of seamless and unexpected ambient voyages.
ATŌMI :: Little Floating Oracles (Lady Blunt)
Embark on a dense journey through the prenatal existence, starting from high and immaterial planes down to the material and sensorial reality, exploring the borders of dark ambient, contemporary electronic and experimental classical music inspired by the concept of fetus..
Burial :: Streetlands EP (Hyperdub)
Burial shows he’s unafraid of forging ahead even if it strays from his hits. This is aural cinematography created by a master storyteller working not in words but in sound itself.
Jonathan Scherk :: Toon! (Faitiche)
Abruptly formed collages can sometimes have problems with explosive rebar into a buzz-saw like changes in volume levels from sample to sample, here the flow is almost perfect, the content is certainly strange but the volume levels are very smooth.
Arovane & Taylor Deupree :: Skal_Ghost (12k) — 2x track premiere
Skal_Ghost presents ten slices of life. Merging and submerging both artists’ vast skills within the realm of the C15, Arovane and Taylor Deupree display its palette of sounds seamlessly.
exm :: pas de point EP (Self Released)
Found sounds, field recordings, and sputtering beat patches evolve and eventually break down as loosened melodic strands bend and twist.
LPF12 :: Contours of Stillness (Self Released)
The energy quotient is expanding and then vaporizing, always modulating and soothing, with some wonderful creepy shadows too. Here we dive into Contours of Stillness and celebrate Sascha Lemon’s 30 years of LPF12.
William St Hugh :: Derelict In White EP (Self Released)
Taking from the timeless classical and traditional forms and instrumentation, and adding the electronica and sonic time traveling dimensions previously only dreamed of. Actual horns and strings with synthesizers coming together in a breathless deep polar excursion, in slow motion.
Özcan Saraç :: OPUS H04S CELL (Kaer’Uiks)
Operating at over 100 MPH, Özcan Saraç delivers claustrophobic electronic mayhem that zigzags with deconstructed non-rhythms and massive slabs of noise that are a workout on the ears.
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