Experimental Electronic Music
A culmination of Boddy’s ever-evolving soundcraft, Modulations IV stands as a testament to his lifelong exploration of electronic music and the synths that stitch harmony from chaos. Not just a collection of performances—it’s world-building through sound.
Abul Mogard charts a deeply personal and evolving sonic journey with the launch of his label Soft Echoes and new album Quiet Pieces. In this interview, he reflects on his creative process, from analog roots to a sound that seeks transcendence through texture and time.
Algorythm of Hate is an intense plunge into the wreckage of noise and industrial dissonance—a raw, calculated demolition of structure that invites listeners to find order in the ruins.
Marc Brinkerink, the Haarlem-based sonic architect behind the moniker, dissects glitch into finer, more intricate fragments—hyper-glitch, laced with shadowy undertones.
Saturation Index unfolds naturally, revealing a stream of delicate, fluttering melodies that craft an elegant balance between the comfortingly familiar and the boldly new.
In this luminous auditory foray, vintage electronic machines breathe new life as they intertwine and disintegrate into shimmering fragments of tone and texture.
Procedural Nuance hums with a cryptic vitality: glitch-funk pulses flicker beneath its concrete skin, while corrosive acid seeps from its fractured seams, an alchemical blend of decay and drive.
At its core, Closing Our Eyes is an acoustic transformation through electronics—organic sound is deconstructed, reshaped, and reanimated into something beautifully unclassifiable.
Modular Stories seamlessly weaves together dense modular sequences, ambient drift, and tightly wound percussion, keeping the listener locked in and engaged.
In a series that has already delivered so many innovative performances, Jobin’s contribution feels both essential and personal. Modulisme Session 123 is a fascinating addition to her already stellar discography and a testament—proof that in the right hands, modular synthesis can become pure poetry.
