Experimental Electronic Music
On Bare Ground is a sculptural work blending its lo-fi with haunting melodies, field recordings, and ethereal soundscapes. Uncompromising in its approach, the album evokes the echoes of experimental music from a spectrum that ranges from dark bedroom pop to rhythmic noise, crafting a cloudy and dreamlike atmosphere.
For Macrogramma, the medium evidently brings with it, more than nostalgia’s facile allure, in contrast to digital’s infinite possibility, an intransigence forcing definitive choices.
There’s red line, thin, but distinct, between different kinds of sounding—between soundalike and sound like, resemblance and redolence, imitation and influence; thus, though sometimes end products may sound similar, in essence they differ crucially.
Snippets from the past carry distinct audio aromas, and varying balances of bitter, sweet and bold, here interfused with new touches. On Wadham Lodge, many moods have been coalesced, balanced and optimized to bring out nuanced sonic flavors.
Quality Time Volume 4 slices a deep cross-section through the label’s unique sonic vision; to encapsulate a myriad of abstract electronic music structures and blend them seamlessly in this fourth volume. It might also be fitting to find more quality time and head back to Bonding Tapes’ earlier volumes again.
There really isn’t a slow or uninteresting moment on the LP, because there’s always a surprise hidden somewhere. Said surprises don’t come in the form of meticulous details, rather just with how good f5point6 and Rhombus Index are at subverting expectations.
Mind-bending and engaging minimalist soundtracks captured in eleven sonic miniatures.
These saccharine and textured paintings come to life on Canvas Doubles, like lost soundtracks to faraway landscapes we once traversed.
