Experimental Electronic Music
Lo Recordings’ reissue of Susumu Yokota’s Laputa resurrects a long-mythic masterpiece of Japanese electronic music—an uncompromising, genre-dissolving vision that drifts from ambient and electro-acoustic collage to jazz-inflected and ritualistic sound worlds with breathtaking imagination.
Glass Colored Lilly by Yuki Fujiwara is a unique blend of traditional Japanese flute, jazz improvisation, and Pan-African rhythms. Produced by Bill Laswell, the album creates immersive, cross-cultural soundscapes that invite deep listening and reflection.
Through multiple evolutions along decades, with a refined combination of harmonies, a deep sense of space, a phenomenology of time and bright sonic manipulations based on acoustic timbres, Japanese artists invite the listener to enlightened and intuitive inner promenades.
This 1994 album transcended expectations and opinions when it was first released, thirty years on it is still doing so. A fitting homage being paid to an artist who was utterly unique in his approach, a beautiful reissue of a milestone of electronic music.
With a brief look at some notables along the road, Chang Terhune’s Music Mondays aims to shed light on both new and old(er) music over a wide spectrum of sound (and vision). This week, David Sylvian.
U.K. based musician and synth genius, Lee Simeone, is a master when it comes to crafting very deep atmospheric collages. His latest excursion; 2011’s twenty-one […]
Six independent electronic music labels from across the globe form collective to support victims of Japan’s recent natural disasters. [Press-Release] Six experimental electronic music labels […]
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