Twisted and askew, yet irresistibly magnetic, Oberman Knocks delves ever deeper into fractured electronic frequencies, drawing us into his richly textured realms of intricate, noise-laden trajectories.
Tag: Industrial
H. Ruine, Mikhail Kireev :: Imagined / Awakenings (Mestnost) — [concise]
Despite being a split release, Imagined / Awakenings strikes a careful balance between two talented audio sculptors, offering a propelling blend that entices listeners to return again and again, discovering new layers with each play.
Takeshi Muto :: El Pato Electronico (Schematic)
El Pato Electronico presents a seamless, commanding, and dynamic collection; fusing the cutting-edge spirit of Takeshi Muto’s vast sonic landscape into an unyielding force of auditory abstraction.
En Direct :: The Illusion Of Control (Clear Memory)
Despite the black matter of the eight tracks, the floor is not forgotten with the Leipzig outfit delivering some angular and angry body music amongst their lancing electro and psychological experiments. A soundtrack for the world we, somehow, find ourselves in.
Heavenly Silences and Earthly Noise :: Drone and Ambient Guitar on Silent Records
Sometimes what comes in a flash unfolds over a long period of time. Such a flash came to Silent Records label founder Kim Cascone one winter night as a kid. “I remember sitting in a snowbank and looking up at the stars. I spotted the blue star in the Orion constellation and gazed at it for a long time. Suddenly I had a flash, like one of those speed-collages in a film where hundreds of events all race past in a split second. I call this ‘my download’ & have been unpacking its meaning ever since.”
Contre son :: Infinity of Dreams (Gladivs)
Titled Infinity of Dreams, this effort is a hybrid of styles operating a crossover between neo-classical orchestrations, mystical-liturgic ambient obtained by various synthetic chords and slightly pulsating ritual music.
Neutrino Effect :: FAMINE (Labile)
Radiating enigmatic industrial-electronic pulses from Omaha, Neutrino Effect (aka Jon Sanford) ventures into an entirely different dimension with FAMINE, a fourteen-track assemblage, fleeting in length but with the cosmic force of the universe propelling us through its boundless depths.
Apocryphos :: Atrementia (Cryo Chamber)
Atrementia was composed exclusively with circuit bent hardware, home-made oscillators, pedals and electric guitar fed through analog processing. Your memories are dressed in black. I can see them, you cannot hide from my lost eyes. What I hear are warm, analog noise and looped pedal drone balance light and dark, for day dreamers and long nights of reflection.
Dayin :: Meditations on Forgetting (Mahorka)
Meditations on Forgetting offers expansive, sorrowful ambient landscapes filled with granular noises, fluid droning electric tones, and synthetic oceanic waves.
Luc Van Acker :: Claustrophobia at its best
The daily overwhelm of incoming stimuli and the paralyzing consequences thereof.
Rodrigo Passannanti :: Forgotten Worlds (Cyclical Dreams)
Forgotten Worlds lives up to its name, blending the rich, hidden depths of synthesizers with the extraordinary realms they conjure. It beckons us to explore the enigmatic, untamed heartbeat of existence itself. With layers of complexity and an all-encompassing energy, these Forgotten Worlds are treasures meant to be rediscovered, time and time again.
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