Experimental Electronic Music
Taken as a whole, Full Spectrum 3 reinforces a broader point about contemporary electronic music. It isn’t stagnant, nor is it repeating itself. What it offers instead is a constantly expanding field of practice—one that often exists outside obvious distribution channels, away from mainstream radio, commercial television, or algorithm-led discovery feeds.
Full Spectrum, a perplexing assemblage put together by Richie Welch, includes beautiful and colorful artwork by Matt Hampshire (Pulse State), distinctive mastering by exm, and a start and conclusion without any fuel loss along the way.
A vast assortment of Mighty Force and Pingdiscs musicians line up with their sonic interpretations and what we get is a top-notch selection of acid-drenched braindance glory.
As we drift downstream, the bliss only continues, and makes it harder to fathom how such a coherent and beautifully flowing album can come along and feel like an old friend from the first listen.
CL4 collects a myriad of found sounds and polished audio spheres—recycling old-school breaks, bass, and melodic layers with new-school punctuation.
Section 27 returns with their explosive (Sectioned) compilation series as V8.0 pours 41 tracks into a 4 hour experimental electronic music vessel.
