There’s such a vibrant palette of sounds on offer and every artist has put in a mighty effort creating a whole new listening experience. I […]
Tag: Electronics
Elsewhereness revisited #17 cabinfeverdreams
Elsewhereness revisited is an occasional feature documenting the drift at the margins: ambient gasbagging and blurb blah, ’tube-d, ’cloud-ed ’n’ ’camp-ed up, complete with new companion mix, Elsewhereness revisited #17. […]
FLORIAN SCHNEIDER (Kraftwerk) :: 1947—2020
The width and breadth of Schneider’s and Kraftwerk‘s influence on music for the past 50 years is almost impossible to imagine. It’s safe to say […]
Dalham :: Alderson Loop (Castles In Space)
Following up from 2019’s Heat Death (also on Castles In Space) and 2018’s Janus (Pubic House), Alderson Loop stirs similar gauzy sound spheres, broken beats […]
Ital Tek :: Outland (Planet Mu)
Outland has the gravitas of its album cover—that of a hybrid between circuit board and stone tablet. Listening to it intently, one feels like an […]
Nuron / As One :: La Source (De:tuned)
La Source is brand new material and is steeped in the warmth of this trailblazer’s past productions. Soft, bass brushed, pads are dusted with a […]
Auscultation :: III (100% Silk)
III provides a head-nodding journey with parts that work for after-hours dance floors as well as the headphones of those seeking centering and focus. Shanahan’s […]
Resting Cell :: Cellular Memory (Virtual Urban)
Resting Cell is a true synth player and can really draw up some extremely vivid musical landscapes—places we can all escape to if need be. […]
Quarantine Q’s :: Deadbeat
Scott Monteith aka Deadbeat, is a Canadian transplanted to Berlin (as a musical technology educator) via the US techno scene. A veteran of the North […]
Soul Flask :: The Cassandra Complex (Mahorka) — “A Smear Through The Shale” video premiere
April 22, 2020—Earth Day is the day on which the Soul Flask album The Cassandra Complex is released on Mahorka. “Most tracks have a direct […]
Kaitlyn Aurelia Smith :: The Mosaic of Transformation (Ghostly International)
The album is sonically gorgeous, but also very coherent and tight—clocking at under forty minutes with never a moment spent in self-indulgence. Kaitlyn Aurelia Smith […]
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F~M :: Fose (Old Technology) — [concise]
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