Experimental Electronic Music
Before his untimely death Andrew Weatherall and his long-time collaborator Nina Walsh planned a series of EP’s to span 2020. The advantage of such a long term endeavor is that it allowed their ideas to unspool and then reconstitute over long melodic lines inviting thought without demanding conclusions.
Taking elements of classic techno / acid tropes and merging with heavy breaks, bass and 90s era rave sessions, Higher Form does just want it […]
At a surprising name your price offering Archive: Vol. I is a worthwhile investment keeping underground musicians like HATCH (aka London’s prolific Eugene Rowlett) moving towards a mission to re-envision old-school bleep electronics.
Ambient undercurrents are pinned by echoed dub inflections while static charges shimmy through vibrational bass as it all comes together succinctly.
An emphasis on heavy, heavy beats supporting deep, shuddering bass and dark atmospherics. With the drums playing such a heavy role in these songs one could be forgiven for mistaking it for a Scorn release from a bygone year.
Taking us back to early DeFocus, Delsin and Neo Ouija days where lightly sprinkled electronics birthed IDM’s trajectory into melodic and blissful moments, Chaircrusher captures familiar terrain with luminous sonic bubbles.
Daniel Myer’s Liebknecht project titled Colossus delivers four solid slabs of dark yet danceable music for your listening. Each one works the steady ground of beats, bass and beeps with an added layer of grimy, oily atmospherics and soundscapes.
By pushing and pulling on a vast tapestry of textured noises and glittery soundscapes, the exploratory nature of this album is offset by its attention to nuanced, imprecise and sparkling electronic flutter.
Each piece contains enough content and creative fuel to keep our attention zoned in while shards of electro, breaks, and technoid forms are exposed with jazzier outer layers.
Fxbip shatters preconceived notions of nonsensical experimentation and instead focuses on unique (even if a bit turbulent) concrete sound collages that bend, flex, and splinter with a punctuated sheen.
These are fine-tuned, danceable and energetic tracks for the dance floor, floor-standing speakers or headphone commutes in the dead of night.
![F~M :: Fose (Old Technology) — [concise]](https://igloomag.com/wp/wp-content/uploads/2026/05/fm-fose_feat-75x75.jpg)
