Two originals, three remixes, five cuts of finely engineered funk. Interdimensional Warlock takes familiar electro ingredients, wires them to a dirty great bassline and sets the whole lot loose after dark. Get your stank face on.
Tag: Electro
Acid For The Grandma :: What?
In many respects, the 12”s from Acid For The Grandma sound more like compilations. Each EP has a sense of being distinct and unique rather than a progression from one to the next. The real surprise is that it is one artist behind these releases, one musician exploring acid, ambient, house and techno and doing so from incredibly varied perspectives.
CURSES :: Next Wave Acid Punx TROIS! (Eskimo)
I can assure you there is no greater telling of a chapter of electronic history, set in a modern context, than this collection. A brand-new decade in retro colours, still vibrating with the naïve possibility that perhaps this time the future really would be different. Whether it was the intention to set out to communicate these themes, Acid Punx 3 did that to me. For me. Great job.
Serge Geyzel :: So I Leave EP (Adepta Editions)
Serge Geyzel’s So I Leave delivers a hard-hitting mix of dark breaks, deep bass, glitch, acid, and experimental energy across three tightly focused tracks.
Interstellar Seance :: Synaptic Cliffs
What began as an ordinary box of records arriving at work quickly turns into a strange trip down the rabbit hole of Synaptic Cliffs—a label where extraterrestrials, electronic music legends, immaculate vinyl and one very elusive artist called pdqb somehow all make perfect sense.
Chit Chat with Ben Stokes of Dimensional Holofonic Sound
A veteran of groundbreaking music-video and visual collaborations, Ben Stokes puts his most personal stamp on Dimensional Holophonic Sound (DHS), his singular project blending acid electronics, old-school analog imagery, and experimental video production. Simultaneously, Stokes has built a distinctive career at the intersection of sound, art, technology, and visuals.
WE FORFEIT :: Radio Relativa #55
More techno from Bradley Strider, Death in Vegas, and Ryan James Ford with all three delivering their own expression of the sound with savage results. We have electro with Cultivated Electronics, To Pikap and Shipwrec, and breaks with DjRum and Withhold. Two hours of nonsensical anecdotes and lots of great music.
Multiplex :: Axial Opposition (People Can Listen)
That exchange between past and present is central to Axial Opposition. Classic Multiplex structures remain recognizable, yet the melodic synthesis gives them renewed dimension, allowing vintage electronic language to exist alongside contemporary detail.
Poladroïd :: Roentgenizdat (Roulette Rekordz)
Poladroïd packs eight lean, muscular tracks with throbbing bass, fat drum-machine punch and just enough EBM grit to keep the whole thing moving.
Kid Bucle :: Incompleteness EP (Science Cult)
Kid Bucle, either knowing or unknowingly, takes a lineage built from futurism, tek-funk, broken machinery and the pleasure of the unexpected, then subjects it to contemporary pressure until something new and now begins to emerge.
Fleck E.S.C. :: Interior Reset (Pyramid Transmissions)
This is electro with its lineage intact and its eyes firmly ahead: studied, physical, detailed and properly funky. The lesson is simple. Know the form. Then push the production until the form starts pushing back.
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